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By Grace We Have Been Saved
Author: Rusty Edwards Meter: 8.6.8.6 Appears in 3 hymnals Scripture: Isaiah 52:7 First Line: By grace we have been saved through faith Topics: Beauty; Belief; Calmness and Serenity; Enemies; Feet; Freedom and Liberation; Gospel (Good News); Jesus Christ Cross; Law and Gospel; Life; New Creation; Rebirth; Saints; Salvation; Sin; Word of God; Beauty; Belief; Calmness and Serenity; Enemies; Feet; Freedom and Liberation; Gospel (Good News); Jesus Christ Cross; Law and Gospel; Life; New Creation; Rebirth; Saints; Salvation; Sin; Word of God; Grace Sanctifying and Perfecting Grace Used With Tune: DOVE OF PEACE
By Grace We Have Been Saved
Blow ye the trumpet, blow!
Author: Charles Wesley Meter: 6.6.6.6.8.8 Appears in 948 hymnals Scripture: Isaiah 52:7 Used With Tune: LENOX
Blow ye the trumpet, blow!
Battle Hymn of the Republic
Author: Julia Ward Howe, 1819-1910 Meter: 15.15.15.6 ith refrain Appears in 553 hymnals Scripture: Isaiah 52:7 First Line: Mine eyes have seen the glory of the coming of the Lord Refrain First Line: Glory, glory, hallelujah! Lyrics: 1 Mine eyes have seen the glory of the coming of the Lord;
he is trampling out the vintage where the grapes of wrath are stored;
he hath loosed the fateful lightning of his terrible swift sword;
his truth is marching on.
Refrain:
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory, hallelujah!
His truth is marching on.
2 I have seen him in the watchfires of a hundred circling camps,
they have builded him an altar in the evening dews and damps;
I can read his righteous sentence by the dim and flaring lamps;
his day is marching on. [Refrain]
3 He has sounded forth the trumpet that shall never call retreat;
he is sifting out the hearts of all before his judgment seat.
O be swift, my soul, to answer him; be jubilant, my feet!
Our God is marching on. [Refrain]
4 In the beauty of the lilies Christ was born across the sea,
with a glory in his bosom that transfigures you and me;
as he died to make us holy, let us die to make all free,
while God is marching on. [Refrain]
Used With Tune: BATTLE HYMN
Battle Hymn of the Republic
BEREDEN VÄG FÖR HERRAN
Meter: 7.6.7.6.7.7 with refrain Appears in 36 hymnals Composer and/or Arranger: Unknown Scripture: Isaiah 52:8 Tune Sources: Then Swenska Psalmboken, 1697; arr. American Lutheran Hymnal, 1930 Tune Key: G Major Incipit: 11116 55561 17111 Used With Text: Prepare the Way, O Zion
BEREDEN VÄG FÖR HERRAN
BATTLE HYMN
Meter: 15.15.15.6 ith refrain Appears in 445 hymnals Scripture: Isaiah 52:7 Tune Sources: American melody, 19th c. Tune Key: B Flat Major Incipit: 55554 35123 33211 Used With Text: Battle Hymn of the Republic
BATTLE HYMN
Blow ye the trumpet, blow!
Author: Charles Wesley Hymnal: The Presbyterian Book of Praise #437 (1897) Meter: 6.6.6.6.8.8 Scripture: Isaiah 52:7 Languages: English Tune Title: LENOX
Blow ye the trumpet, blow!
Battle Hymn of the Republic
Author: Julia Ward Howe, 1819-1910 Hymnal: Worship and Rejoice #730 (2003) Meter: 15.15.15.6 ith refrain Scripture: Isaiah 52:7 First Line: Mine eyes have seen the glory of the coming of the Lord Refrain First Line: Glory, glory, hallelujah! Lyrics: 1 Mine eyes have seen the glory of the coming of the Lord;
he is trampling out the vintage where the grapes of wrath are stored;
he hath loosed the fateful lightning of his terrible swift sword;
his truth is marching on.
Refrain:
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory, hallelujah!
His truth is marching on.
2 I have seen him in the watchfires of a hundred circling camps,
they have builded him an altar in the evening dews and damps;
I can read his righteous sentence by the dim and flaring lamps;
his day is marching on. [Refrain]
3 He has sounded forth the trumpet that shall never call retreat;
he is sifting out the hearts of all before his judgment seat.
O be swift, my soul, to answer him; be jubilant, my feet!
Our God is marching on. [Refrain]
4 In the beauty of the lilies Christ was born across the sea,
with a glory in his bosom that transfigures you and me;
as he died to make us holy, let us die to make all free,
while God is marching on. [Refrain]
Languages: English Tune Title: BATTLE HYMN
Battle Hymn of the Republic
By Grace We Have Been Saved
Author: Frederick Whitfield; Rusty Edwards Hymnal: Lift Up Your Hearts #675 (2013) Scripture: Isaiah 52:7 First Line: By grace we have been saved through faith Refrain First Line: Oh, how I love Jesus! Topics: Faith; Jesus Christ Grace; Sin; Elements of Worship Forgiviness and Grace Languages: English Tune Title: OH, HOW I LOVE JESUS
By Grace We Have Been Saved
Jacques Berthier
1923 - 1994 Person Name: Jacques Berthier, b. 1923 Scripture: Isaiah 52:7 Composer of "GLORIA, GLORIA" in Lift Up Your Hearts Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions.
Bert Polman
Jacques Berthier
Johann Sebastian Bach
1685 - 1750 Person Name: Johann Sebastian Bach (1685-1750) Scripture: Isaiah 52:1-10 Harmonizer of "WACHET AUF, RUFT UNS DIE STIMME" in Moravian Book of Worship Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended.
Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception).
In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake.
After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes.
--John Julian, Dictionary of Hymnology (1907)
Johann Sebastian Bach
John Bowring
1792 - 1872 Scripture: Isaiah 52:8 Author of "Watchman, Tell Us of the Night" in Glory to God James Bowring was born at Exeter, in 1792. He possessed at an early age a remarkable power of attaining languages, and acquired some reputation by his metrical translations of foreign poems. He became editor of "The Westminster Review" in 1825, and was elected to Parliament in 1835. In 1849, he was appointed Consul at Canton, and in 1854, was made Governor of Hong Kong, and received the honour of knighthood. He is the author of some important works on politics and travel, and is the recipient of several testimonials from foreign governments and societies. His poems and hymns have also added to his reputation. His "Matins and Vespers" have passed through many editions. In religion he is a Unitarian.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872
=======================================
Bowring, Sir John, LL.D., a distinguished man of letters, was born at Exeter, Oct. 17, 1792. His studies extended to philology, poetry, politics, and other branches of learning, whilst as editor of the Westminster Review for some years (he received the appointment in 1825) he did considerable work as a reviewer. He held several official appointments under the Government as Commissioner to France on commercial matters (1831-5); British Consul at Hong Kong (1849); and Governor of Hong Kong (1854). He was twice Member of Parliament, and was knighted in 1854. He died Nov. 23rd, 1872. His published works are very numerous, and display an astonishing acquaintance with various languages. Those specially bearing on poetry include:—
(1) Russian Anthology, with Biographical and Critical notices of the Poets of Russia, 1821; (2) Specimens of the Russian Poets, 1823; (3) Ancient Poetry and Romance of Spain, 1824; (4) Batavian Anthology, or Specimens of Dutch Poets, 1824; (5) Servian Popular Poetry, 1821; (6) Specimens of Polish Poets, 1827; (1) Poetry of the Magyars, 1830; (8) History of the Poetical Literature of Bohemia, 1832, &c.
In addition to these works, which are mainly translations, Sir John Bowring wrote original verse. This was published interspersed with a few translations, as follows:—
(1) Matins and Vespers with Hymns and Occasional Devotional Pieces, Lond., 1823; 2nd edition, enlarged, 1824; 3rd edition, again enlarged, 1841; and the 4th, still further enlarged, in 1851. (2) Hymns: as a Sequel to the Matins, 1825. In addition he contributed to a few Unitarian hymnals, especially that of the Rev. J. R. Beard of Manchester, 1837. In that Collection many of the hymns added to the 3rd edition of Matins, &c, 1841, were first published A selection from these, together with a biographical sketch, was published by Lady Bowring in 1873, as a Memorial Volume of Sacred Poetry. This work contains hymns from the Matins and Vespers, together with others from Periodicals, and from his manuscripts.
Of his hymns a very large percentage have come into common use. A few have been adopted by almost all denominations, as, "God is love, His mercy brightens;" "How sweetly flow'd the gospel sound;" "In the Cross of Christ I glory;" "Watchman, tell us of the night;"; and others, but the greater portion are confined to the Unitarian collections of Great Britain and America, of which denomination he was a member. In addition to the more important, which are annotated under their first lines, there are also the following in common use:—-
1. Clay to clay, and dust to dust. Burial. From his Hymns, 1825, into the Hymn & Tune Book, Boston, U.S., 1868, &c.
2. Come the rich, and come the poor. Divine Worship. Contributed to Beard's Collection, 1837, No. 290, and repeated in Bowring's Matins, &c., 3rd edition, 1841. It is in a few American collections.
3. Drop the limpid waters now. Holy Baptism. From Matins and Vespers, 3rd edition, 1841, into Kennedy, 1863.
4. Earth's transitory things decay. The Memory of the Just. From his Hymns, 1825, into Beard, 1837; the American Plymouth Collection, 1855; and the Songs for the Sanctuary, N.Y., 1865, &c.
5. Father, glorify Thy name. The Father glorified. Also from Hymns, 1825, into Beard, 1837; the Hymns of the Spirit, Boston, U.S., 1864, &c.
6. Father and Friend, Thy light, Thy love. Omnipresence. From Matins and Vespers, 2nd edition, 1824, into several collections, and sometimes in an abbreviated form.
7. Father of Spirits, humbly bent before Thee. Also in Hymns, 1825, and Dr. Martineau's Hymns of Praise & Prayer, 1873. In Longfellow and Johnson's Hymns of the Spirit, Boston, U.S., 1864, it is given as, "Father of Spirits, gathered now before Thee."
8. From all evil, all temptation. Preservation implored. Contributed to Beard's Collection, 1837.
9. From the recesses of a lowly spirit. Prayer of trust. From Matins and Vespers, 1st edition, 1823, into several American collections.
10. Gather up, 0 earth, thy dead. Published in his Matins & Vespers, 3rd ed., 1841, in 3 stanzas of 8 lines and repeated, slightly altered, in Kennedy, 1863, No. 753.
11. Gently the shades of night descends Evening. A cento from his poem on "Sunday Evening," in the Matins, &c, 1st edition, 1823, p. 6. It is given in the Boston Hymns of the Spirit, 1864; the Boston Hymn & Tune Book, 1868, and other collections.
12. How dark, how desolate. Hope. 1st published in his Matins, &c, 1823, p. 246. In Dr. Martineau's Hymns of Praise & Prayer, 1873, it is No. 515.
13. How shall we praise Thee, Lord of Light! Evening. A cento from the same poem as No. 7 above. It is given in the Hymns of the Spirit, 1864, and other American collections.
14. Lead us with Thy gentle sway. Divine Guidance desired. Hymns, 1825, into Hymns of the Spirit, 1864, and others.
15. Lord, in heaven, Thy dwelling-place. Praise. Contributed to Beard's Collection, 1837, No. 70, repeated in the author's Matins, &c, 3rd edition 1841, p. 235, and given in a few American collections. In the Hymns of the Spirit, 1864, it is altered to "Lord of every time and place."
16. 0 let my [thy] trembling soul be still. Resignation. From the 1st edition of the Matins, &c, 1823, p. 251, in 3 stanzas of 6 lines, into Beard's Collection, 1837; the Hymns of the Spirit, 1864, and others. It is sometimes given as, "0 let thy," &c.
17. 0, sweet it is to feel and know. Monday Morning. A poem in 16 stanzas of 4 lines, given in his Matins, &c, 1823, p. 60. In 1837 stanzas i.-iii. were given in Beard's Collection as No. 448, and entitled "God near in sorrow." In the 3rd edition of the Matins, &c, 1841, this cento was repeated (p. 245), with the same title, notwithstanding the full poem was in the same book.
18. On the dust I'm doomed to sleep. Resurrection. Appeared in his Matins, &c, 1st edition, 1823, p. 252, in 2 stanzas of 8 lines. In the 2nd edition, 1824, p. 232, it was altered to "In the dust," &c. This was repeated in 1841. In some hymnals it reads:—
19. The heavenly spheres to Thee, 0 God. Evening. This "Hymn to the Deity" appeared in the 2nd edition of his Matins, &c, 1824, pp. 235-6, in 4 stanzas of 4 double lines. It is also in the 3rd edition, 1841; the Boston Hymns of the Spirit, 1864 and other American collections.
20. When before Thy throne we kneel. Divine Worship. From his Hymns, 1825, into Beard's Collection, 1837, No. 93; the Boston Hymn & Tune Book, 1868, No. 21, and others.
21. Where is thy sting, 0 death! Death. Also from the Hymns, 1825, into the same collections as No. 20 above.
It will be noted that Beard's Collection, 1837, is frequently named above. The full title of that hymnal is—
A Collection of Hymns for Public and Private Worship. Compiled by John R. Board, Lond., John Green, 1837.
The Rev. John Relly Beard was an Unitarian Minister in Manchester, and the collection is dedicated "To the Manchester Meeting of Ministers." It contained a large number of original hymns. Bowring contributed 82, of which 33 were published therein for the first time. Some of his hymns are of great merit, and most of them are characterised by great earnestness and deep devotion.
-- John Julian, Dictionary of Hymnology (1907)
==================
Bowring, Sir John, p. 166, i. In the article on Bowring the hymns numbered therein as 4 and 20 are stated to have appeared in his Hymns, 1825, but in error. The earliest date to which we can positively trace them is Beard's Collection, 1837. From the Hymns, 1825, we find, however, that the following are in modern hymnals:—
1. Our God is nigh. Divine Presence.
2. 'Tis not the gift; but 'tis the spirit. Outward and Inward Virtue.
3. When the storms of sorrow gather. God our Guide.
From the various editions of his Matins and Vespers additional hymns arc also in modern use:—
4. If all our hopes and all our fears. Heaven Anticipated. (1823.)
5. In Thy courts let peace be found. Public Worship. (1841.)
6. The offerings to Thy throne which rise. Heart Worship. (1824.)
7. Who shall roll away the stone? Easter. In Beard's Collection, 1837, and Matins & Vespers, 1841.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
John Bowring
