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Scripture:2 Corinthians 5:20-21; 2 Corinthians 6:1-10
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Horatio Gates Spafford

1828 - 1888 Person Name: Horatio G. Spafford Scripture: 2 Corinthians 5:21 Author of "When Peace like a River (It Is Well with My Soul)" in Glory to God

Felice Giardini

1716 - 1796 Person Name: Felice de Giardini Scripture: 2 Corinthians 5 Composer of "ITALIAN HYMN" in Moravian Book of Worship Felice Giardini, born in Italy. When young, he studied singing, harpsichord, and violin. He became a composer and violin virtuoso. By age 12 he was playing in theatre orchestras. His most instructive lesson: While playing a solo passage during an opera, he decided to show off his skills by improvising several bravura variations that the composer, Jommelli, had not written . Although the audience applauded loudly, Jomelli, who happened to be there, went up and slapped Giardini in the face. He learned a lesson from that. He toured Europe as a violinist, considered one of the greatest musical artists of his time. He served as orchestra leader and director of the Italian Opera in London, giving concerts. He tried to run a theatre in Naples, but encountered adversity. He went to Russia, but had little fortune there, where he died. John Perry

Samuel Wolcott

1813 - 1886 Scripture: 2 Corinthians 5:17-21 Author of "Christ for the World We Sing!" in Moravian Book of Worship Wolcott, Samuel, D.D., was born at South Windsor, Connecticut, July 2, 1813, and educated at Yale College, 1833, and Andover Theological Seminary, 1837. From 1840 to 1842 he was a missionary in Syria. On his return to America he was successively pastor of several Congregational congregations, including Belchestown, Massachusetts; Providence, Rhode Island; Chicago, &c. He was also for some time Secretary of the Ohio Home Missionary Society. He died at Longmeadow, Massachusetts, Feb. 24, 1886. His hymnwriting began late in life, but has extended to more than 200 hymns, many of which are still in manuscript. Those of his hymns which have come into common use include:— 1. All thy realms in midnight shrouded. Mission. In the Oberlin Manual of Praise, 1880. 2. Christ for the world we sing. Missions. Written Feb. 7, 1869. Its origin is thus recorded by the author: "The Young Men's Christian Associations of Ohio met in one of our Churches, with their motto, in evergreen letters over the pulpit, ‘Christ for the World, and the World for Christ.' This suggested the hymn 'Christ for the world we sing.'" It was when on his way home from that service that he composed the hymn. It is in several American collections, including Laudes Domini, 1884, &c. 3. Father, I own Thy voice. Trust and Aspiration. This, his first hymn, was written in 1868, more as an experiment in hymn-writing than anything else. It was published in the Rev. Darius E. Jones's Songs for the New Life. Chicago, 1869. It has since passed into other collections. 4. Goodly were thy tents, 0 Israel. Missions. Written May 31, 1881, and included in Laudes Domini, 1884. 5. Lo! the faith which crossed the ocean. Missions. In the Oberlin Manual of Praise, 1880. 6. O gracious Redeemer! O Jesus our Lord. The Love of Jesus. Written in 1881. 7. On the works of His creation, God the Creator. In the Ohio Evangelical Association's Hymn Book, 1881. 8. Pitying Saviour, look with blessing. Prayer for the Penitent. In the Ohio Evangelical Association's Hymn Book, 1881. 9. Tell me Whom my soul doth love. Opening of Divine Service. A paraphrase of Cant. i. 8. Written Feb. 6, 1870. Included in Laudes Domini, N. Y., 1884. 10. To us have distant ages. Saints Days. In Dale's English Hymn Book, 1874. 11. This house, most holy Lord, is Thine. Opening of a Place of Worship. In Dale's English Hymn Book, 1874. For most of the information given above we are indebted to Duffield's English Hymns, N. Y., 1886. -- John Julian, Dictionary of Hymnology (1907) ================ See also in: Hymn Writers of the Church

Charles Lockhart

1745 - 1815 Person Name: Charles Lockhart, 1745-1815 Scripture: 2 Corinthians 5:19-20 Composer of "CARLISLE" in Church Hymnary (4th ed.) Born: 1745, London, England. Died: February 9, 1815, London, England. Lockhart was first organist of the Lock Hospital, and was for some years associated with Martin Madan in the musical arrangements there. Though blind from infancy, Lockhart had a distinct musical gift, and was especially known for training children’s choirs. His earliest tunes were printed on separate sheets. He published a set of hymn tunes about 1810. Sources: Frost, p. 680 Lightwood, p. 155 Nutter, p. 460 Music: CARLISLE TAMWORTH http://www.hymntime.com/tch/bio/l/o/c/lockhart_c.htm ================ http://en.wikipedia.org/wiki/Charles_Lockhart_%28musician%29

Henry Kirke White

1785 - 1806 Person Name: Henry Kirke White, 1785-1806 Scripture: 2 Corinthians 6:7 Author of "Oft in danger, oft in woe" in Common Praise White, Henry Kirke, a gifted English poet who died early in life, was born in Nottingham, England, March 21, 1785. Very early he manifested a remarkable love for books and a decided talent for composition. But his parents were poor, and he was apprenticed in early boyhood to a stocking weaver, from which uncongenial servitude he escaped as soon as he could and began the study of law; but later he was converted and felt called to the ministry. The story of his conversion from deism to Christianity is briefly but beautifully told in the poem titled "The Star of Bethlehem." He entered St. John's College, Cambridge, in 1805 as a servitor; but died October 19, 1806, in the second year of his college course, when only twenty-one years of age. In 1803 he published a small volume of poems. Some of them are very fine, but no doubt he would have produced others far better if he had lived to the ordinary age of man. His rare poetic genius, his victory over skepticism and subsequent faith and piety, his hard struggle with poverty and early death invest the story of his life with more than ordinary pathos. His hymns, ten in number, appeared in Collyer's Collection, 1812. Oft in danger, oft in woe 412 The Lord our God is clothed with 99 When marshaled on the mighty 124 Hymn Writers of the Church, 1911 ============================ White, Henry Kirk, remarkable both for the early development of his genius and for the untimely termination of his brief life of splendid promise, was born at Nottingham, March 21, 1785. His father was a butcher, but his mother must have been a superior woman, since for a number of years she successfully conducted a boarding-school for girls. The writing-master in her establishment was for some time Henry's teacher, and under his instruction he made remarkable progress in Latin and other subjects. At the age of 13 he composed the lines "To an early Primrose," which were subsequently printed with his poems. At 14 he left school, and was put to the stocking-frame in order to learn prac¬tically the business of a hosier; but, disliking the employment, he was removed to an attorney's office in Nottingham, with a view to the legal profession. All his spare time was now devoted to literary pursuits, the acquisition of languages, and the composition of poetical and other contributions for the periodicals of the day. At the age of 15 he obtained from the Monthly Preceptor a silver medal for a translation from Horace, and a pair of globes for the best description of an imaginary tour from London to Edinburgh. When only 17 he was encouraged to publish his Clifton Grove and other Poems, which were certainly excellent as the compositions of a mere boy. About this time he was inclined to scepticism, but. through the perusal of Scott's Force of Truth and the arguments and appeals of a young friend, R. W. Almond (afterwards Rector of St. Peter's, Nottingham), he was led to earnest faith in Christianity. His well-known hymn "When marshall'd on the nightly plain" is understood to be a figurative description of his spiritual experience at this period. He now desired to become a Christian minister, and through the generosity of his employers he was released from his articles in 1804. With the help of the Rev. C. Simeon and other friends, he became a student of St. John's College, Cambridge. There he speedily distinguished himself, and the highest honours seemed within his grasp; but over application to study destroyed his health, and he fell ill and died Oct. 19, 1806, in the 22nd year of his age. Universal regret was expressed at his untimely end. Southey published his Remains, accompanied by a short memoir. Lord Byron composed some beautiful lines on the sad event. Josiah Conder and others wrote commemorative verses. The entire literary young manhood of England and America seemed moved with sympathy. A monumental tablet, with a medallion by Chantrey, was erected in All Saints Church, Cambridge, at the expense of a citizen of Boston, in the United States. Ten hymns are ascribed to H. K. White, which were printed by the Rev. Dr. W. B. Collyer in his Supplement to Dr. Watts's Psalms & Hymns, London, 1812. Of these four of the most popular are annotated as follows: "Awake, sweet harp of Judah, wake"; "Christians, brethren, ere we part"; "Much in sorrow, oft in woe"; “When marshalled on the nightly plain." These are all in extensive use. The rest, all in common use at the present time, are:— 1. 0 Lord, another day has flown. Evening. From this the hymn "0 let Thy grace perform its part" is taken. 2. 0 Lord, my God, in mercy turn. Penitence and Faith. 3. The Lord our God is full [clothed in] of might. Divine Sovereignty. 4. The Lord our God is Lord of all. Divine Sovereignty. 5. Through sorrow's night and danger's path. The Resurrection. Sometimes given as "When sorrow's path and danger's road." 6. What is this passing scene? Human Frailty. This hymn consists of selected stanzas from his “Ode on Disappointment." [Rev. W. R. Stevenson, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Henry J. Gauntlett

1805 - 1876 Person Name: H. J. Gauntlett, 1805-1876 Scripture: 2 Corinthians 6:7 Composer of "UNIVERSITY COLLEGE" in Common Praise Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

E. P. Hastings

Scripture: 2 Corinthians 6:2 Composer of "DETROIT" in The Christian Hymnary. Bks. 1-4

John J. Overholt

1918 - 2000 Person Name: Compiler Scripture: 2 Corinthians 6:10 Alterer of "On Our Way Rejoicing" in The Christian Hymnary. Bks. 1-4 John J. Overholt was born to an Amish family of limited means in the state of Ohio in 1918. As a child he was soon introduced to his father's personal collection of gospel songs and hymns, which was to have a marked influence on his later life. With his twin brother Joe, he early was exposed to the Amish-Mennonite tradition hymn-singing and praising worship. An early career in Christian service led to a two-year period of relief work in the country of Poland following World War II. During that interim he began to gather many European songs and hymns as a personal hobby, not realizing that these selections would become invaluable to The Christian Hymnary which was begun in 1960 and completed twelve years later in 1972, with a compilation of 1000 songs, hymns and chorales. (The largest Menn. hymnal). A second hymnal was begun simultaneously in the German language entitled Erweckungs Lieder Nr.1 which was brought to completion in 1986. This hymnal has a total of 200 selections with a small addendum of English hymns. Mr. Overholt married in 1965 to an accomplished soprano Vera Marie Sommers, who was not to be outdone by her husband's creativity and compiled a hymnal of 156 selections entitled Be Glad and Sing, directed to children and youth and first printed in 1986. During this later career of hymn publishing, Mr. Overholt also found time for Gospel team work throughout Europe. At this writing he is preparing for a 5th consecutive tour which he arranges and guides. The countries visited will be Belgium, Switzerland, France, Germany, Poland, USSR and Romania. Mr. Overholt was called to the Christian ministry in 1957 and resides at Sarasota, Florida where he is co-minister of a Beachy Amish-Mennonite Church. Five children were born to this family and all enjoy worship in song. --Letter from Hannah Joanna Overholt to Mary Louise VanDyke, 10 October 1990, DNAH Archives. Photo enclosed.

Robert Bridges

1844 - 1930 Person Name: Robert Seymour Bridges Scripture: 2 Corinthians 5:18-21 Translator of "Ah, Holy Jesus, How Have You Offended" in Psalter Hymnal (Gray) Robert S. Bridges (b. Walmer, Kent, England, 1844; d. Boar's Hill, Abingdon, Berkshire, England, 1930) In a modern listing of important poets Bridges' name is often omitted, but in his generation he was consid­ered a great poet and fine scholar. He studied medicine and practiced as a physician until 1881, when he moved to the village of Yattendon. He had already written some poetry, but after 1881 his literary career became a full-time occupation, and in 1913 he was awarded the position of poet laureate in England. Bridges published The Yattendon Hymnal (1899), a collection of one hundred hymns (forty-four written or translated by him with settings mainly from the Genevan psalter, arranged for unaccompanied singing. In addition to volumes of poetry, Bridges also published A Practical Discourse on Some Principles of Hymn-Singing (1899) and About Hymns (1911). Bert Polman =================== Bridges, Robert Seymour, M.A., son of J. J. Bridges, of Walmer, Kent, was b. Oct. 23, 1844, and educated at Eton and at Corpus Christi College, Oxford (B.A. 1867, M.A. 1874). He took his M.A. in 1874, but retired from practice in 1882, and now (1906) resides at Yattendon, Berks. He is the author of many poems and plays. He edition and contributed to the Yattendon Hymnal, 1899 (originally printed at the Oxford Univ. Press in parts—Nos. 1-25, 1895; 26-50, 1897; 51-75, 1898; 76-100, 1899). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Christian Friedrich Richter

1676 - 1711 Person Name: C. F. Richter, 1676-1711 Scripture: 2 Corinthians 6:4-10 Author of "Es glänzet der christen inwendiges leben" in Deutsches Gesangbuch für die Evangelisch-Luterische Kirche in den Vereinigten Staaten Richter, Christian Friedrich, son of Sigismund Richter, Rath and Chancellor to Count von Promnitz at Sorau, in Brandenburg, was born at Sorau, Oct. 5, 1676. At the University of Halle he was first a student of medicine and then of theology. In 1698, A. H. Francke appointed him Inspector of the Paedagogium, and then made him, in 1699, physician in general to all his Institutions. In company with his younger brother, Dr. Christian Sigismund Richter, he made many chemical experiments, for which he prepared himself by special prayer; and invented many compounds which came into extensive use under the name of the “Halle Medicines," the most famous being the Essentia dulcis, which was a preparation of gold. He died at Halle, Oct. 5, 1711 (Koch, iv. 354, &c). Richter was one of the most important hymnwriters among the Pietists of the earlier Halle school; and his hymns possess the defects as well as the excellences of his school. They are emotional, and develop the idea of the spiritual union with Christ as the Bridegroom of the soul, with a minuteness that is hardly reverent (e.g. No. xi. below). They are also frequently not clearly thought out, and consequently somewhat obscure. Various of them are in unusual metres, and were wedded to tunes not very devotional in character. Apart from these defects there are various of his hymns worthy of note for their genuine, fervent piety, their childlike spirit of love to God, and the depth of Christian experience embodied in them. They appeared principally in the various Pietistic hymn-books of the period, especially in Freylinghausen's Gesang-Buch, 1704 and 1714, and were collected and appended (as his Geistliche Lieder) to an essay edited by his brother (named above) and published at Halle, in 1718, as Erbauliche Betrachtungen vom Ur sprung und Adel der Seelen. Richter's hymns …which have passed into English are:— i. Gott den ich als Liebe kenne. For the Sick. Included in Freylinghausen's Neues geistreiches Gesang-Buch, 1714, No. 647, in 7 stanzas of 8 lines, repeated, 1718, as above, p. 420, entitled, "Hymn in Sickness." According to Ehmann, in his edition of Gottfried Arnold, 1856, p. xii., it had previously appeared in Arnold's Heilsamer Rath und Unterricht für Kranke und Sterbende, 2nd edition, 1709. It is in the Unverfälschter Liedersegen, 1851, No. 603. Translated as :— God! whom I as love have known. A full and very good translation by Miss Winkworth, in her Lyra Germanica, 1st Ser., 1855, p. 236. Repeated, abridged, in L. Rehfuess's Church at Sea, 1868, p. 53. A cento, in 5 stanzas of 4 lines, taken from st. v., vi., iii., and beginning, "Let my soul beneath her load,” is No. 398, in the Unitarian Hymns of the Spirit, Boston, U. S. A., 1864. Another translation is: O God, Whose attributes shine forth in turn." By Miss Cox, 1864, p. 191. ii. Heine Armuth macht mich schreien. Supplication, or Longing for Christ. In Freylinghausen's Gesang-Buch, 1704, No. 662, in 7 st. of 6 1. Repeated, 1718, as above, p. 381, and in the Unverfälschter Liedersegen, 1851, No. 769. Translated as:— Unto Him my spirit crieth . A good translation of st. i., ii., vi., by A. T. Russell, in his Psalms & Hymns, 1851. iii. Stilles Lamm und Friedefürst. Sanctification. A hymn on the Following of Christ the Lamb of God, and founded on Rev. xiv. 4. In Freylinghausen's Neues geistreiches Gesang-Buch 1714, No. 432, in 8 st. of 5 1. Repeated in 1718, as above, p. 364, entitled. "On the name Agneta, which may be derived from Agnus, which in German is called a Lamb." In Burg's Gesang-Buch, Breslau, 1746, No. 922. Tr. as:— Thou Lamb of God, Thou Prince of Peace . A free tr., omitting st. iii., vii., by J. Wesley, in his Psalms & Hymns, Charlestown, 1736-7, p. 51, and Hymns & Sacred Poems, 1739 (P. Works, 1868-72, i.,p. 129). Included in the Wesleyan Hymn Book, 1780, No. 329 (1875, No. 338), and recently in the Methodist New Congregational Hymn Book, 1863, Mercer's Church Psalter & Hymn Book, 1857 and 1864, Holy Song, 1869, the American Methodist Episcopal Hymn Book 1849, and others. Another tr. is: "Holy Lamb and Prince of Peace." By J. Gambold, as No. 38 in the Moravian Hymn Book, 1742 (1886, No. 486). Eight others of his hymns have been tr. into English, viz:-- iv. Die sanfte Bewegung, die liebliche Kraft. Whitsuntide. In Freylinghausen's Gesang-Buch, 1704, No. 454, in 9 st.; and in 1718 as above, p. 393, entitled, "Of the Joy in the Holy Ghost." Tr. as: "This Impulse so gentle, this Movement so sweet," as No. 551, in pt. i., of the Moravian Hymn Book, 1754. v. Es glänzet der Christen inwendigem Leben. The Life of Faith. In Freylinghausen's Gesang-Buch, 1704, No. 515, in 8 stanzas; and in 1718, as above, p. 398, entitled, "On the hidden life of believers." Repeated in the Unverfälschter Liedersegen, 1851, No. 410. It is Richter's finest hymn, and was (says Koch, viii. 249) a great favourite with Dr. F. Schleiermacher. It is founded on Col. iii. 3, 4, and gives a picture of what the inner life of a Christian should be: described from Richter's own experience. The trs. are: (1) "The Christian's Life inward displays its bright splendour." As No. 620, in pt. i. of the Moravian Hymn Book, 1754. (2) "All fair within those children of the light." By Mrs. Bevan, 1858, p. 26. vi. Hüter! wird die Nacht der Sunden. Morning. A fine hymn, for use especially in Advent, and founded on Isaiah xxi. 11. In Freylinghausen's Gesang-Buch, 1704, No. 599, in 9 st.: 1718, as above, p. 401, and in the Unverfälschter Liedersegen, 1851, No. 460. Tr. as: (1) "Watchman! is the Night retiring." By H. J. Buckoll, 1842, p. 45. (2) "O Watchman, will the night of sin." By Miss Winkworth, 1855, p. 1. Repeated in Miss Warner's Hymns of the Church Militant , 1858, the Gilman-Schaff Library of Religious Poetry , 1881, &c. vii. Jesu, gib mir deine Fülle. Supplication. A prayer to Christ as the Great Physician. In Freylinghausen's Gesang-Buch, 1704, No. 66, in 7 st., st. vii. being entitled "Answer." In 1718, as above, p. 406, entitled, "On Patience." In Burg's Gesang-Buch, Breslau, 1746, No. 289. Tr. as:— "Jesu grant Thou me Thy Fulness." In the Supplement to German Psalmody, ed. 1765, p. 47. viii. Jesus ist das schönste Licht. Love to Christ. On St. John xii. 36. In Freylinghausen's Gesang-Buch, 1704, No. 349, in 9 st.: and in 1718, as above, p. 379, entitled, "On Desire towards God and Christ." In the Berlin Geistlich Lieder, ed. 1863, No. 808. Tr. as:— "Jesus is my light most fair," as No. 630, in pt. i. of the Moravian Hymn Book, 1754 (1886, No. 450). ix. Mein Salomo dein freundliches Regieren. Peace in Believing. A fine hymn, founded on St. John i. 14. In Freylinghausen's Neues geistreiches Gesang-Buch, 1714, No. 512, in 11 st. In 1718, as above, p. 416; and in the Unverfälschter Liedersegen, 1851, No. 424. Tr. as:— (1) "My Solomon! thy kind and gracious Sceptre," as No. 622, in pt. i., of the Moravian Hymn Book, 1754. In 1789, altered to "Jesus, my King, Thy kind and gracious sceptre" (1886, No. 384). (2) "Jesus, my King! Thy mild and kind control." By Dr. Bomberger, in Schaff s Kirchenfreund , 1849, p.337. x. O Liebe die den Himmel hat zerissen. Christmas. In Freylinghausen's Neues geistreiches Gesang-Buch, 1714, No. 34, in 9 st.: and in 1718, as above, p. 414, entitled, "On the Incarnation of the Son of God." In the Unverfälschter Liedersegen, 1851, No. 52. Translated as:-- "Oh! love that did the heavens rend asunder." By Miss Manington, 1864, p. 35. xi. O wie selig sind die Seelen. Love to Christ. Founded on Hosea ii. 19, 20, and Eph. v. 25. In Freylinghausen's Gesang-Buch., 1704, No. 512, in 10 st.: and in 1718, as above, p. 396, entitled, "On the high dignity of believers." In Porst's Gesang-Buch, ed. 1855, No. 412. It was (says Koch, viii. 297) originated by a dream Richter had about 1700, that in the hospital at Halle he would find a truly Christ-like soul. After searching all the wards he found an old neglected patient in a garret, with whom he conversed, and whom he found to be the person he was seeking. Inspired by her relations of her inner experience, he embodied her thoughts in this fine hymn. Tr. as:— "O what joy for them is stored." By Mrs. Bevan, 1858, p. 68. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

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