Meter: 7.6.7.6 DAppears in 520 hymnals Composer and/or Arranger: Hans Leo Hassler, 1564-1612; J. S. Bach, 1685-1750Tune Key: a minorIncipit: 51765 45233 2121 Used With Text: O Sacred Head, Surrounded (Oh Rostro Ensangrentado)
Meter: 11.11.11.11Appears in 422 hymnals Composer and/or Arranger: Richard Proulx, 1937-2010Tune Sources: Funk's Compilation of Genuine Church Music, 1832Tune Key: F MajorIncipit: 56161 51131 35561 Used With Text: How Firm a Foundation (Cuán Firme Cimiento)
Meter: 6.7.6.7.6.6.6.6Appears in 544 hymnals Composer and/or Arranger: Johann Crüger, 1598-1662; A. Gregory Murray, OSB, 1905-1992Tune Key: E Flat MajorIncipit: 55566 53432 32155 Used With Text: Now Thank We All Our God (De Boca y Corazón)
Appears in 205 hymnals Composer and/or Arranger: Martin West, b. 1929Tune Sources: English melodyTune Key: f sharp minorIncipit: 51232 16551 71234 Used With Text: When Love Is Found (Hallar Amor - ¡Qué Bendición!
Meter: 11.11 with refrainAppears in 32 hymnalsTune Sources: Grenoble, 1882Tune Key: G MajorIncipit: 51131 13223 21511 Used With Text: Immaculate Mary (Del Cielo Ha Bajado)
Meter: 8.8.8 with refrainAppears in 142 hymnals Composer and/or Arranger: Melchior Vulpius, c. 1560-1616Tune Key: C MajorIncipit: 17655 67111 25176 Used With Text: Christ Is the King (¡Cristo Es el Rey!)
Meter: 7.6.7.6 DAppears in 1,040 hymnals Composer and/or Arranger: Samuel Sebastian Wesley, 1810-1876Tune Key: D MajorIncipit: 33343 32116 54345 Used With Text: You Walk along Our Shoreline (Caminas por la Orilla)
Meter: Irregular with refrainAppears in 100 hymnals Composer and/or Arranger: Robert J. Batastini, b. 1942Tune Sources: African American spiritualTune Key: F MajorIncipit: 32321 51231 33432 Used With Text: There Is a Balm in Gilead (Bálsamo de Amor Hay en Galaad)