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Jean de Brébeuf

1593 - 1649 Person Name: Jean de Brebeuf Scripture: Luke 2:8-14 Author (Huron) of "Huron Carol" in Songs for Life Jean de Brébeuf, Jesuit missionary, born at Condé-sur-Vire in Normandy, 25 March, 1593; died in Canada, near Georgian Bay, 16 March, 1649. His desire was to become a lay brother, but he finally entered the Society of Jesus as a scholastic, 8 November, 1617. According to Ragueneau it was 5 October. Though of unusual physical strength, his health gave way completely when he was twenty-eight, which interfered with his studies and permitted only what was strictly necessary, so that he never acquired any extensive theological knowledge. On 19 June, 1625, he arrived in Quebec, with the Recollect, Joseph de la Roche d' Aillon, and in spite of the threat which the Calvinist captain of the ship made to carry him back to France, he remained in the colony. He overcame the dislike of the colonists for Jesuits and secured a site for a residence on the St. Charles, the exact location of a former landing of Jacques Cartier. He immediately took up his abode in the Indian wigwams, and has left us an account of his five months' experience there in the dead of winter. In the spring he set out with the Indians on a journey to Lake Huron in a canoe, during the course of which his life was in constant danger. With him was Father de Noüe, and they established their first mission near Georgian Bay, at Ihonatiria, but after a short time his companion was recalled, and he was left alone. Brébeuf met with no success. He was summoned to Quebec because of the danger of extinction to which the entire colony was then exposed, and arrived there after an absence of two years, 17 July, 1628. On 19 July, 1629, Champlain surrendered to the English, and the missionaries returned to France. Four years afterwards the colony was restored to France, and on 23 March, 1633, Brébeuf again set out for Canada. While in France he had pronounced his solemn vows as spiritual coadjutor. As soon as he arrived, viz., May, 1633, he attempted to return to Lake Huron. The Indians refused to take him, but during the following year he succeeded in reaching his old mission along with Father Daniel. It meant a journey of thirty days and constant danger of death. The next sixteen years of uninterrupted labours among these savages were a continual series of privations and sufferings which he used to say were only roses in comparison with what the end was to be. The details may be found in the "Jesuit Relations". In 1640 he set out with Father Chaumonot to evangelize the Neutres, a tribe that lived north of Lake Erie, but after a winter of incredible hardship the missionaries returned unsuccessful. In 1642 he was sent down to Quebec, where he was given the care of the Indians in the Reservation at Sillery. About the time the war was at its height between the Hurons and the Iroquois, Jogues and Bressani had been captured in an effort to reach the Huron country, and Brébeuf was appointed to make a third attempt. He succeeded. With him on this journey were Chabanel and Garreau, both of whom were afterwards murdered. They reached St. Mary's on the Wye, which was the central station of the Huron Mission. By 1647 the Iroquois had made peace with the French, but kept up their war with the Hurons, and in 1648 fresh disasters befell the work of the missionaries — their establishments were burned and the missionaries slaughtered. On 16 March, 1649, the enemy attacked St. Louis and seized Brébeuf and Lallemant, who could have escaped but rejected the offer made to them and remained with their flock. The two priests were dragged to St. Ignace, which the Iroquois had already captured. On entering the village, they were met with a shower of stones, cruelly beaten with clubs, and then tied to posts to be burned to death. Brébeuf is said to have kissed the stake to which he was bound. The fire was lighted under them, and their bodies slashed with knives. Brébeuf had scalding water poured on his head in mockery of baptism, a collar of red-hot tomahawk-heads placed around his neck, a red-hot iron thrust down his throat, and when he expired his heart was cut out and eaten. Through all the torture he never uttered a groan. The Iroquois withdrew when they had finished their work. The remains of the victims were gathered up subsequently, and the head of Brébeuf is still kept as a relic at the Hôtel-Dieu, Quebec. His memory is cherished in Canada more than that of all the other early missionaries. Although their names appear with his in letters of gold on the grand staircase of the public buildings, there is a vacant niche on the façade, with his name under it, awaiting his statue. His heroic virtues, manifested in such a remarkable degree at every stage of his missionary career, his almost incomprehensible endurance of privations and suffering, and the conviction that the reason of his death was not his association with the Hurons, but hatred of Christianity, has set on foot a movement for his canonization as a saint and martyr. An ecclesiastical court sat in 1904 for an entire year to examine his life and virtues and the cause of his death, and the result of the inquiry was forwarded to Rome. [He was canonized in 1930. --Ed.] --www.newadvent.org/cathen/02751b.htm

Fred Pratt Green

1903 - 2000 Scripture: Luke 2 Author of "Two Brothers Come to Blows" in Scripture Song Database The name of the Rev. F. Pratt Green is one of the best-known of the contemporary school of hymnwriters in the British Isles. His name and writings appear in practically every new hymnal and "hymn supplement" wherever English is spoken and sung. And now they are appearing in American hymnals, poetry magazines, and anthologies. Mr. Green was born in Liverpool, England, in 1903. Ordained in the British Methodist ministry, he has been pastor and district superintendent in Brighton and York, and now served in Norwich. There he continued to write new hymns "that fill the gap between the hymns of the first part of this century and the 'far-out' compositions that have crowded into some churches in the last decade or more." --Seven New Hymns of Hope , 1971. Used by permission.

John Cawood

1775 - 1852 Person Name: Cawood Scripture: Luke 2 Author of "Hark! what mean those holy voices" in The Voice of Praise John Cawood was born in 1775, at Matlock, Derbyshire, where his father carried on a small farm. He enjoyed very limited educational advantages. At the age of eighteen he occupied a menial position. But seeking every opportunity of self improvement, and aided by those who interested themselves in his behalf, he was enabled in 1797 to enter S. Edmund Hall, Oxford, and obtained his B.A. in 1801, and his M.A. in 1807. He was ordained in 1801, and most of his life in the ministry was spent as perpetual Curate of S. Ann's Chapel of Ease, Bewdley, Worcestershire. He died in 1852. He published several prose works, but no volume of hymns or poems. His son says, "My father composed about thirteen hymns, which have one by one got into print, though never published by himself, or any one representing him." --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ======================= Cawood, John, M. A., born at Matlock, Derbyshire, March 18, 1775. His parents being in humble circumstances, he received in childhood but a limited education, and at 18 was engaged in the service of the Rev. Mr. Cursham, Sutton-in-Ashfield, Notts. Three years' study, however, under careful direction, enabled him to enter St. Edmund Hall, Oxford, in 1797. Obtaining his degree in 1801, he took Holy Orders, and became successively Curate of Ribsford and Dowles, and Incumbent of St. Ann's Chapel of Ease, Bewdley, Worcestershire. He died Nov. 7, 1852. His hymns, 17 in all, were never published by himself. Of these 9 were included in Cotterill's Selection, 8th ed., 1819, Nos. 268-276. Most of these have passed into other collections. These are :— 1. Almighty God, Thy word is cast. After a Sermon. 2. Hark! what mean those holy voices? (1819.) Christmas. 3. Begin a joyful song. (1819.) Christmas. 4. Behold yon wondrous star. (1819.) Epiphany. 5. Trembling with tenderest alarms. (1816.) Finding of Moses. 6. In Israel's fane, by silent night. (1816.) Samuel. 7. King o'er all worlds the Saviour shone. (1819.) Good Friday. 8. Christians, the glorious hope ye know. (1819.1 Plea for Missions. 9. Hark! what mean those lamentations. (1819.) Missions. In addition, Dr. Rogers pub. in his Lyra Britannica, 1867, from the author's manuscript:— 10. A child of sin and wrath I'm born. (1820.) Infant's Prayer. 11. The Sou of God, in worlds on high. (1822.) Christ's Humility. 12. Blessed Father, Great Creator. (1837.) Holy Trinity. These details are from the S. MSS., amongst which there are 5 hymns yet unpublished. --John Julian, Dictionary of Hymnology (1907)

Robert J. Batastini

b. 1942 Person Name: Robert J. Batastini, b. 1942 Scripture: Luke 2:7 Harmonizer of "MUELLER" in Gather Comprehensive Robert J. Batastini is the retired vice president and senior editor of GIA Publications, Inc., Chicago. Bob has over fifty-five years of service in pastoral music ministry, having served several parishes in the Archdiocese of Chicago and one in the Diocese of Joliet. He served as executive editor and project director for the Worship hymnals (three editions), Gather hymnals (three editions), Catholic Community Hymnal, and as executive editor of RitualSong. In 1993 he became the first recipient of the Father Lawrence Heimann Citation for lifetime contribution to church music and liturgy in the U.S., awarded by St. Joseph's College, Rensselaer, Indiana, and was named "Pastoral Musician of the Year-2000" by the National Association of Pastoral Musicians (NPM). At its 2006 conference, he was named a Fellow of the Hymn society in the United States and Canada. In his retirement he is active in the music ministry of St. Francis de Sales Parish, Holland, MI. Nancy Naber, from www.giamusic.com/bios/

Sir Ernest MacMillan

1893 - 1973 Person Name: Ernest C. MacMillan Scripture: Luke 2:7 Arranger of "TEMPUS ADEST FLORIDUM" in The Presbyterian Hymnal Ernest MacMillan (Conductor) Born: August 18, 1893 - Mimico, Canada Died: May 6, 1973 - Toronto, Canada The eminent Canadian conductor and composer, Sir Ernest (Alexander Campbell) MacMillan, began his organ studies with Arthur Blakeley in Toronto at age 8, making his public debut at 10. He continued his organ studies with A. Hollins in Edinburgh from 1905 to 1908, where he was also admitted to the classes of F. Niecks and W.B. Ross at the University. Ernest MacMillan was made an associate (1907) and a fellow (1911) of London’s Royal College of Organists, and in 1911 received the extramural Bachelor of Music degree from the University of Oxford. He studied modern history at the University of Toronto from 1911 to 1914, before receiving piano instruction from Therese Chaigneau in Paris in 1914. In 1914 he attended the Bayreuth Festival, only to be interned as an enemy alien at the outbreak of World War I. While being held at the Ruhleben camp near Berlin, he gained experience as a conductor. He was awarded the B.A. degree in absentia by the University of Toronto in 1915. His ode, England, submitted through the Prisoners of War Education Committee to the University of Oxford, won him his Doctor of Music degree in 1918. After his release, Ernest MacMillan returned to Toronto as organist and choirmaster of Timothy Eaton Memorial Church from 1919 to 1925. In 1920 he joined the staff of the Canadian Academy of Music, and remained with it when it became the Toronto Conservatory of Music, serving from 1926 to 1942 as its principal. He was also dean of music faculty at the University of Toronto from 1927 to 1952. Ernest MacMillan was conductor of the Toronto Symphony Orchestra from 1931 to 1956, and of the Mendelssohn Choir there from 1942 to 1957. He also appeared as guest conductor in North and South America, Europe, and Australia. He served as president of the Canadian Music Council from 1947 to 1966, and of the Canadian Music Centre from 1959 to 1970. In 1935 he was the first Canadian musician to be knighted, an honour conferred upon him by King George V. He also received honorary doctorates from Canadian and USA institutions. He conducted many works new to his homeland, both traditional and contemporary. --www.bach-cantatas.com/

Jesse Edgar Middleton

1872 - 1960 Scripture: Luke 2:8-14 Translator of "Huron Carol" in Songs for Life Middleton, Jesse Edgar. (Wellington County, Ontario, November 3, 1872--May 27, 1960, Toronto, Ont.). United Church. Although he trained as a teacher, he turned to journalism in 1895. After learning his new trade, he became the Montreal Herald's correspondent in Quebec, and was there when Ernest Myrand brough out Noels anciens de la Nouvelle-France (1899), containing a French version of the carol which Father Brebeuf, S.J., had written in 1641 for the Huron, whose descendents had handed it on by oral tradition. He then came to Toronto as a special writer for The Mail and Empire, and from 1942 onward, for Saturday Night as well; meanwhile, he served Centennial Church as choirmaster for about 40 years. With all this, he managed to produce several books on the history of Toronto and Ontario; though not an academic, neither was he a dilettante, and the leading scholars of the province were glad to work with him. His pamphlet on The First Canadian Carol came out in 1927, simultaneously with the first volume of his History of Ontario, in which Brebeuf's mission forms the earliest fully-documented episode; hence we may believe that Middleton knew what he was about in preparing "'Twas in the moon of winter-time." --Hugh D. McKellar, DNAH Archives =============================== Jesse Edgar Middleton, 1872-196 Born: November 3, 1872, Pilkington, Ontario, Canada. Died: May 27, 1960, Toronto, Canada. Buried: Fort Macleod, Alberta, Canada. Son of a Methodist minister, Middleton attended Dutton High School and the Strathroy Collegiate Institute, then taught school for three years. He then worked for three years as a proofreader for a publisher in Cleveland, Ohio, and later became music critic for the Mail and Empire. In 1904, he joined The News. He also led the choir at the Centennial Methodist Church, and sang in the Mendelssohn Choir. Sources: Stulken, p. 175 Translations "’Twas in the Moon of Wintertime" --www.hymntime.com/tch

Mary Louise Bringle

b. 1953 Person Name: Mary Louise Bringle, n. 1953 Scripture: Luke 2:1-6 Translator of "En Nombre del Cielo (In the Name of Heaven" in Oramos Cantando = We Pray In Song

George J. Elvey

1816 - 1893 Scripture: Luke 2:10-11 Composer of "ST. GEORGE'S WINDSOR" in The Hymnbook George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music. Bert Polman

Ira David Sankey

1840 - 1908 Person Name: Ira D. Sankey Scripture: Luke 2:7 Composer of "[Thou didst leave Thy throne and Thy kingly crown]" in Gospel Hymns No. 2 Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known. Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages. --John Julian, Dictionary of Hymnology (1907) Pseudonymns: Harry S. Lower Rian A. Dykes ==================== Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:— 1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:— "I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full." The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus. 2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:— "During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888. From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns. From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:— In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns. In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Ronald F. Krisman

Person Name: Ronald F. Krisman, b. 1946 Scripture: Luke 2:6-18 Translator of "Infant Holy, Infant Lowly (Niño Santo, Niño Manso)" in Oramos Cantando = We Pray In Song