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George Bennard

1873 - 1958 Person Name: George Bennard (1873-1958) Hymnal Number: 124 Author of "So I'll cherish the old rugged cross" in The Song Book of the Salvation Army George Bennard (1873-1958) was born in Youngstown, OH. When he was a child the family moved to Albia, Iowa. He served with the Salvation Army in Iowa for several years before he was ordained in the Methodist Episcopal Church. His hymn "Speak, my Lord" appears in Triumphant Service Songs (Chicago: Rodeheaver Hall-Mack Co., 1934). He wrote words and tune for his best known hymn "The Old Rugged Cross" in 1913. Mary Louise VanDyke

Elizabeth Codner

1824 - 1919 Person Name: Elizabeth Codner (1824-1919) Hymnal Number: 295 Author of "Lord, I hear of showers of blessing" in The Song Book of the Salvation Army CODNER, Elizabeth (née Harris) was born in Dartmouth, Devon in 1823. Croydon, Surrey, 28 March 1919. She was interested in the mission field from an early age, and two of her early publications were entitled The Missionary Ship (1853) and The Missionary Farewell (1854) relating to the Patagonia Mission (later the South American Missionary Society). She married William Pennefather at the Mildmay Protestant Mission in London, and edited the mission’s monthly Woman’s Work in the Great Harvest Field. At age 17, she was editing a magazine for the Patagonia Mission, later the South American Missionary Society. She died in Croydon, Surrey on 28 March 1919. NN, Hymnary

R. Birch Hoyle

1875 - 1939 Person Name: Richard Birch Hoyle (1875-1939) Hymnal Number: 152 Translator of "Thine is the glory" in The Song Book of the Salvation Army Born: March 8, 1875, Cloughfold, Lancashire, England. Died: December 14, 1939, Wimbledon, Surrey, England. Hoyle attended Regent’s Park College in London, then pastored in Sudbury, Aberdeen, and London (1900-17), and in Belvedere, Kent (1923-26). He edited the YMCA’s Red Triangle magazine, and was professor of theology at Western Theological Seminary, Pittsburgh, Pennsylvania (1934-36). He later returned to England, pastoring at the Baptist church in Kingston-on-Thames. Some of his work appears in the World Student Christian Federation hymnal Cantate Domino (1925). Translations: Holy God, Thy Name We Bless My Savior and My Lord Thine Is the Glory What Joy, to Think of That Vast Host --www.hymntime.com/tch

John Byrom

1692 - 1763 Person Name: John Byrom (1692-1763) Hymnal Number: 78 Author of "Christians awake, salute the happy morn" in The Song Book of the Salvation Army John Byrom was born in 1691, at Manchester, where his father was a linen-draper. He entered Trinity College, Cambridge, 1708; became a Fellow of the College in 1714; took his M.A. in 1716, and then proceeded to Montpelier, where he studied medicine. He afterwards abandoned medicine, settled in London, and obtained his living by teaching a system of shorthand, which he had projected. He was elected a member of the Royal Society in 1724. He died Sept. 28, 1763. The first edition of Byrom's poems appeared in 1773, in two volumes. A more complete edition was published in 1814. Byrom did not seek publicity as an author, but wrote verses only for recreation. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ====================== Byrom, John, M.A., F.R.S., born at Manchester, Feb. 29,1691-2, baptized the same day, and educated at Merchant Taylors' School, and Trinity College, Cambridge, where he graduated B.A. 1712 ; M.A. 1715. He was elected a Fellow of his College in 1714. After studying medicine for a time at Montpellier, he returned to London, and earned his livelihood by teaching shorthand. Elected F.R.S. in 1724, and succeeded to the family estates about the same time. He died Sept. 28, 1763. His Poems were first published in 1773, in two volumes. In 1814 a more complete edition was issued by Nichols, of Leeds. From these Poems less than half a dozen hymns have come into common use. One of these, however, has a repu¬tation which has extended to all English-speaking countries. We refer to his "Christians, awake!" (q.v.). His hymn, "My spirit longeth for Thee," is also worthy of attention. -- John Julian, Dictionary of Hymnology (1907)

Catherine Winkworth

1827 - 1878 Person Name: Catherine Winkworth (1827-78) Hymnal Number: 12 Translator of "Now thank we all our God" in The Song Book of the Salvation Army Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869). Bert Polman ======================== Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:— Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863. Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:— (1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869. In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:— "The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'" Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:— "She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character." Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love." Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer. -- John Julian, Dictionary of Hymnology (1907) ============================ See also in: Hymn Writers of the Church

Henry Francis Lyte

1793 - 1847 Person Name: Henry Francis Lyte (1793-1847) Hymnal Number: 17 Author of "Praise, my soul, the King of Heaven" in The Song Book of the Salvation Army Lyte, Henry Francis, M.A., son of Captain Thomas Lyte, was born at Ednam, near Kelso, June 1, 1793, and educated at Portora (the Royal School of Enniskillen), and at Trinity College, Dublin, of which he was a Scholar, and where he graduated in 1814. During his University course he distinguished himself by gaining the English prize poem on three occasions. At one time he had intended studying Medicine; but this he abandoned for Theology, and took Holy Orders in 1815, his first curacy being in the neighbourhood of Wexford. In 1817, he removed to Marazion, in Cornwall. There, in 1818, he underwent a great spiritual change, which shaped and influenced the whole of his after life, the immediate cause being the illness and death of a brother clergyman. Lyte says of him:— "He died happy under the belief that though he had deeply erred, there was One whose death and sufferings would atone for his delinquencies, and be accepted for all that he had incurred;" and concerning himself he adds:— "I was greatly affected by the whole matter, and brought to look at life and its issue with a different eye than before; and I began to study my Bible, and preach in another manner than I had previously done." From Marazion he removed, in 1819, to Lymington, where he composed his Tales on the Lord's Prayer in verse (pub. in 1826); and in 1823 he was appointed Perpetual Curate of Lower Brixham, Devon. That appointment he held until his death, on Nov. 20, 1847. His Poems of Henry Vaughan, with a Memoir, were published in 1846. His own Poetical works were:— (1) Poems chiefly Religious 1833; 2nd ed. enlarged, 1845. (2) The Spirit of the Psalms, 1834, written in the first instance for use in his own Church at Lower Brixham, and enlarged in 1836; (3) Miscellaneous Poems (posthumously) in 1868. This last is a reprint of the 1845 ed. of his Poems, with "Abide with me" added. (4) Remains, 1850. Lyte's Poems have been somewhat freely drawn upon by hymnal compilers; but by far the larger portion of his hymns found in modern collections are from his Spirit of the Psalms. In America his hymns are very popular. In many instances, however, through mistaking Miss Auber's (q. v.) Spirit of the Psalms, 1829, for his, he is credited with more than is his due. The Andover Sabbath Hymn Book, 1858, is specially at fault in this respect. The best known and most widely used of his compositions are "Abide with me, fast falls the eventide;” “Far from my heavenly home;" "God of mercy, God of grace;" "Pleasant are Thy courts above;" "Praise, my soul, the King of heaven;" and "There is a safe and secret place." These and several others are annotated under their respective first lines: the rest in common use are:— i. From his Poems chiefly Religious, 1833 and 1845. 1. Above me hangs the silent sky. For Use at Sea. 2. Again, 0 Lord, I ope mine eyes. Morning. 3. Hail to another Year. New Year. 4. How good, how faithful, Lord, art Thou. Divine care of Men. 5. In tears and trials we must sow (1845). Sorrow followed by Joy. 6. My [our] rest is in heaven, my [our] rest is not here. Heaven our Home. 7. 0 Lord, how infinite Thy love. The Love of God in Christ. 8. Omniscient God, Thine eye divine. The Holy Ghost Omniscient. 9. The leaves around me falling. Autumn. 10. The Lord hath builded for Himself. The Universe the Temple of God. 11. Vain were all our toil and labour. Success is of God. 12. When at Thy footstool, Lord, I bend. Lent. 13. When earthly joys glide swift away. Ps. cii. 14. Wilt Thou return to me, O Lord. Lent. 15. With joy we hail the sacred day. Sunday. ii. From his Spirit of the Psalms, 1834. 16. Be merciful to us, O God. Ps. lvii. 17. Blest is the man who knows the Lord. Ps. cxii. 18. Blest is the man whose spirit shares. Ps. xli. 19. From depths of woe to God I cry. Ps. cxxxx. 20. Gently, gently lay Thy rod. Ps. vi. 21. Glorious Shepherd of the sheep. Ps. xxiii. 22. Glory and praise to Jehovah on high. Ps. xxix. 23. God in His Church is known. Ps. lxxvi. 24. God is our Refuge, tried and proved. Ps. xlvi. 25. Great Source of my being. Ps. lxxiii. 26. Hear, O Lord, our supplication. Ps. lxiv. 27. How blest the man who fears the Lord. Ps.cxxviii. 28. Humble, Lord, my haughty spirit. Ps. cxxxi. 29. In this wide, weary world of care. Ps. cxxxii. 30. In vain the powers of darkness try. Ps.lii. 31. Jehovah speaks, let man be awed. Ps. xlix. 32. Judge me, O Lord, and try my heart. Ps. xxvi. 33. Judge me, O Lord, to Thee I fly. Ps. xliii. 34. Lord, I have sinned, but O forgive. Ps. xli. 35. Lord, my God, in Thee I trust. Ps. vii. 36. Lord of the realms above, Our Prophet, &c. Ps.xlv. 37. Lone amidst the dead and dying. Ps. lxii. 38. Lord God of my salvation. Ps. lxxxviii. 39. Lord, I look to Thee for all. Ps. xxxi. 40. Lord, I would stand with thoughtful eye. Ps. lxix. 41. Lord, my God, in Thee I trust. Ps. vii. 42. My God, my King, Thy praise I sing. Ps. cviii. 43. My God, what monuments I see. Ps. xxxvi. 44. My spirit on [to] Thy care. Ps. xxxi. 45. My trust is in the Lord. Ps. xi. 46. Not unto us, Almighty Lord [God]. Ps. cxv. 47. O God of glory, God of grace. Ps. xc. 48. O God of love, how blest are they. Ps. xxxvii. 49. O God of love, my God Thou art. Ps. lxiii. 50. O God of truth and grace. Ps. xviii. 51. O had I, my Saviour, the wings of a dove. Ps. lv. 52. O how blest the congregation. Ps. lxxxix. 53. O how safe and [how] happy he. Ps. xci. 54. O plead my cause, my Saviour plead. Ps. xxxv. 55. O praise the Lord, 'tis sweet to raise. Ps. cxlvii. 56. O praise the Lord; ye nations, pour. Ps. cxvii. 57. O praise ye the Lord With heart, &c. Ps. cxlix. 58. O that the Lord's salvation. Ps. xiv. 59. O Thou Whom thoughtless men condemn. Ps. xxxvi. 60. Of every earthly stay bereft. Ps. lxxiv. 61. Our hearts shall praise Thee, God of love. Ps. cxxxviii. 62. Pilgrims here on earth and strangers. Ps. xvi. 63. Praise for Thee, Lord, in Zion waits. Ps. lxv. 64. Praise to God on high be given. Ps. cxxxiv. 65. Praise ye the Lord, His servants, raise. Ps. cxiii. 66. Redeem'd from guilt, redeem'd from fears. Ps. cxvi. 67. Save me by Thy glorious name. Ps. liv. 68. Shout, ye people, clap your hands. Ps. xlvii. 69. Sing to the Lord our might. Ps. lxxxi. 70. Strangers and pilgrims here below. Ps. cix. 71. Sweet is the solemn voice that calls. Ps. cxxii. 72. The Church of God below. Ps. lxxxvii. 73. The Lord is King, let earth be glad. Ps. xcvii. 74. The Lord is on His throne. Ps. xciii. 75. The Lord is our Refuge, the Lord is our Guide. Ps. xlvii. 76. The mercies of my God and King. Ps. lxxxix. 77. The Lord Who died on earth for men. Ps. xxi. 78. Tis a pleasant thing to fee. Ps. cxxxiii. 79. Thy promise, Lord, is perfect peace. Ps. iii. 80. Unto Thee I lift mine [my] eyes. Ps. cxxiii. 81. Whom shall [should] we love like Thee? Ps. xviii. Lyte's versions of the Psalms are criticised where their sadness, tenderness and beauty are set forth. His hymns in the Poems are characterized by the same features, and rarely swell out into joy and gladness. --John Julian, Dictionary of Hymnology (1907) ================== Lyte, Henry Francis, p. 706, i. Additional versions of Psalms are in common use:-- 1. Lord, a thousand foes surround us. Psalms lix. 2. Praise, Lord, for Thee in Zion waits. Psalms lxv. 3. The Christian like his Lord of old. Psalms cxl. 4. The Lord of all my Shepherd is. Psalms xxiii. 5. The Lord of heaven to earth is come. Psalms xcviii. 6. Thy mercy, Lord, the sinner's hope. Psalms xxxvi. 7. To Thee, O Lord, in deep distress. Psalms cxlii. Sometimes given as "To God I turned in wild distress." 8. Uphold me, Lord, too prone to stray. Psalms i. 9. When Jesus to our [my] rescue came. Psalms cxxvi. These versions appeared in the 1st edition of Lyte's Spirit of the Psalms, 1834. It must be noted that the texts of the 1834, the 1836, and the 3rd ed., 1858, vary considerably, but Lyte was not responsible for the alterations and omissions in the last, which was edited by another hand for use at St. Mark's, Torquay. Lyte's version of Psalms xxix., "Glory and praise to Jehovah on high" (p. 706, ii., 22), first appeared in his Poems, 1st ed., 1833, p. 25. Read also No. 39 as "Lord, I look for all to Thee." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Henry Ware

1794 - 1843 Person Name: Henry Ware (1794-1843) Hymnal Number: 661 Author of "Happy the home when God is there" in The Song Book of the Salvation Army Henry Ware was born in Hingham, Massachusetts, in 1793. His father was a Unitarian minister; afterwards a Professor in Harvard College. Young Ware graduated at Harvard, studied theology, and became minister of the Second Unitarian Society, in Boston, in 1817. After a ministry of twelve years, he made a foreign tour, and on his return was elected "Parkman Professor of Pulpit Eloquence and Pastoral Theology" in Harvard College. In this position he obtained eminence. He died in September, 1843. His collected works in four volumes, were edited after his death, by the Rev. Chandler Robbins. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 =================== Ware, Henry, D.D., son of Dr. H. Ware, pastor of the Unitarian congregation at Hingham, Massachusetts, and afterward Hollis Professor of Divinity at Cambridge, U.S.A., was born at Hingham, April 21, 1794. Before going to Harvard College, in 1808, he was under the care of Dr. Allyn, at Duxbury, and then of Judge Ware, at Cambridge. He graduated at Harvard in high honours, in 1812; and was then for two years an assistant teacher in Exeter Academy. He was licensed to preach by the Boston Unitarian Association, July 31, 1815; and ordained pastor of the Second Church of that city, Jan. 1, 1817. In 1829, in consequence of his ill health, he received the assistance of a co-pastor in the person of Ralph Waldo Emerson. In the same year Ware was appointed Professor of Pulpit Eloquence and Pastoral Care in the Cambridge Theological School. He entered upon his duties in 1830, and resigned in 1842. He removed to Framingham, and died there, Sept. 25, 1843. His D.D. degree was conferred upon Memoir, published by his brother John Ware, M.D., were numerous and on a variety of topics. He edited the Christian Disciple, which was established in 1813, and altered in title to the Christian Examiner in 1824, for some years before the change of title, and gave it his assistance subsequently. The Rev. Chandler Robbins collected his works and published them in four volumes, in 1847. His hymns, many of which are of more than usual excellence, are given in vol. i. Of these the following are in common use: 1. All nature's works His praise declare. Opening of an Organ. Dated Nov. 9, 1822. It is in Horder's English Congregational Hymns, 1884. 2. Around the throne of God The host angelic throngs. Universal Praise. Dated 1823, and printed in the Christian Disciple, vol. v., and in Putnam, 1874. A fine hymn of praise. 3. Father of earth and heaven, Whose arm upholds creation. Thanksgiving for Divine Mercies. Appeared in Cheever's American Common Place Book, 1831; and in Lyra Sacra Americana, 1868. 4. Father, Thy gentle chastisement. In Sickness. Dated March, 1836; and in Lyra Sacra Americana, 1868. 5. Great God, the followers of Thy Son. Ordination. Written for the Ordination of Jared Sparks, the historian, as pastor of the Unitarian Church, Baltimore, 1819. Given in Lyra Sacra Americana, 1868, and Putnam, 1874. 6. In this glad hour when children meet. Family Gatherings. Dated Aug. 20, 1835. In Lyra Sac. Americana, 1868, and Putnam, 1874. 7. Lift your glad voices in triumph on high. Easter. Dated 1817, and was published in the Christian Disciple of that year, in 2 stanzas of 8 lines. It is in Lyra Sac. Americana, 1868; Putnam, 1874, and numerous hymnbooks. Sometimes stanza ii. is given separately as, "Glory to God, in full anthems of joy." 8. Like Israel's hosts to exile driven. American National Hymn. Written for the Centennial Celebration of the Boston Thursday Lecture, Oct. 17,1833, and given in Lyra Sac. Americana, 1868, and Putnam, 1874. It is a quasi American National Hymn in praise of the Pilgrim Fathers. 9. 0 Thou in Whom alone is found. Laying Foundation Stone of a Place of Worship. In Lyra Sacra Americana, 1868, and Thring's English Collection, 1882. 10. 0 Thou Who on Thy chosen Son. Ordination. Written for an Ordination, March, 1829. In Putnam, 1874, and Dale's English Hymn Book, 1874. 11. Oppression shall not always reign. Against Slavery. "This was Mr. Ware's last composition in verse. It bears date March 15, 1843. In its original form it is longer than as presented here [in 3 stanzas of 8 lines], and is unsuited to a church-book. The following stanzas, taken from one of the Collections [stanzas i., ii. are in Longfellow and Johnson's Book of Hymns, 1848] are a part of the original, altered and transposed, and thus adapted to sacred worship." 12. To prayer, to prayer; for the morning breaks. Prayer. This poem of 10 stanzas of 6 lines is dated 1826, and is given in Lyra Sac. Americana, 1868, and Putnam, 1874. Two centos therefrom are in common use The first begins with stanza i., adapting it for Morning, and the second with stanza ii., "To prayer, for the glorious sun is gone," for Evening. 13. We rear not a temple, like Judah of old. Dedication of a Place of Worship. This is dated 1839, and is given in Putnam, 1874. 14. With praise and prayer our gifts we bring. Opening of a Place of Worship. In Dale's English Hymn Book. 1874. With American Unitarians Dr. Ware ranks very high, and by them his hymns are widely used. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907) ================== Ware, H., p. 1233, i. Another of his hymns in common use is "Great King of all, our nation's God" (National Humiliation). His hymn "To prayer, to prayer," is in Cheever's American Common-Place Book of Poetry, 1831. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Martha M. Stockton

1821 - 1921 Person Name: Martha M. Stockton (1821-85) Hymnal Number: 46 Author of "O 'twas love, 'twas wondrous love" in The Song Book of the Salvation Army Mrs. Martha Matilda (Brustar) Stockton, wife of Rev. W. C. Stockton of Ocean City, Cape May, N.J., born June 11, 1821 English Hymns: Their Authors and History, 1886 by Samuel Willoughby Duffield ==================== Stockton, Martha Matilda, née Brustar,was born June 11, 1821; married to the Rev. W. C. Stockton, of Ocean City, Cape May County, New Jersey; and died Oct. 18, 1885. Her hymn, "God loved the world of sinners lost" (The Love of God), in Laudes Domini, 1884, is dated 1871. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Charles Wesley

1707 - 1788 Person Name: Charles Wesley (1707-88) Hymnal Number: 23 Author of "What shall I render to my God" in The Song Book of the Salvation Army Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

Emma Booth-Tucker

1860 - 1903 Person Name: Emma Booth-Tucker (1860-1903) Hymnal Number: 369 Author of "O I'm climbing up the golden stair to Glory" in The Song Book of the Salvation Army Emma Moss Booth (8 January 1860 – 28 October 1903) known as 'The Consul', was the fourth child and second daughter of Catherine and William Booth, the Founder of The Salvation Army. See also in: Wikipedia