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Robert Simpson

1790 - 1832 Person Name: R. Simpson Composer of "[Come, Holy Spirit, heav'nly Dove]" in Make His Praise Glorious Robert Simpson, of Scotland; b. 1790; d. 1832 Evangelical Lutheran Hymnal, 1908

1855 - 1941 Person Name: J. H. Hall Composer of "URBANA" in The Sacred Hymnal Jacob Henry Hall, 1855-1941 Born: January 2, 1855, near Harrisonburg, Virginia. Died: December 22, 1941. Buried: Dayton, Virginia. Son of farmer George G. Hall and Elizabeth Thomas Hall, Jacob attended singing schools taught by Timothy Funk when he was a boy. As his love of music progressed, he earned money by trapping quail and bought a German accordion; he soon learned to play one part while singing another. After he and his brother jointly purchased an organ, he taught himself to play hymn tunes, Gospel songs, and anthems. He went on to study music theory, harmony, and composition in Harrisonburg and elsewhere, and in 1877 attended a Normal Music School in New Market, Virginia, taught by Benjamin Unseld and P. J. Merges. Afterward, he partnered with H. T. Wartman for two years to conduct singing schools and conventions. In 1890, Hall attended Dana’s Musical Institute in Warren, Ohio, and a normal school run by George & F. W. Root at Silver Lake, New York. He later served as principal of the National Normal School of Music. Hall’s works include: Hall’s Songs of Home, 1885 The Star of Bethlehem (Dayton, Virginia: Ruebush-Kieffer Company) Musical Million (assistant editor) Spirit of Praise, with William Kirkpatrick & Charles Case (Dayton, Virginia: The Ruebush-Kieffer Company, 1911) Hall’s Quartettes for Men, 1912 Biography of Gospel Song and Hymn Writers/em> (New York: Fleming H. Revell Company, 1914) Sources-- Hall, pp. 329-34 Lyrics-- Glorious Morning Dawns, The O Thou Whose Matchless Power Controls --hymntime.com/tch

L. O. Emerson

1820 - 1915 Composer of "[Come, Holy Spirit, heavenly Dove]" in Book of Worship Luther Orlando Emerson was born at Parsonsfield, Maine, August 3, 1820. He descended from distinguished English ancestry. His parents were quite musical, and while the family circle were together, they had a choir and orchestra of their own. The father played the violoncello, the mother was an excellent singer, the flute and violin added their sweet tones, till the quiet homestead rang with melody. Mr. Emerson's education was obtained at the district school, Parsonsfield Seminary and Effingham Academy. He was full of energy, quick and versatile, an apt scholar, and with a view to entering the profession of medicine he entered Dracut Academy, Mass. But his great love for music swerved him from that course, and now, having far better opportunities for cultivating and enjoying this taste and ability, he soon determined upon music as the profession of his choice. He accordingly commenced a course of musical instruction under the late I. B. Woodbury, then a popular teacher of music. After several years of study on the voice, piano, organ and in harmony, Mr. Emerson went to Salem, Mass., began teaching, and took charge of his first choir at a salary of one hundred dollars per year. Here he commenced the composition of music for his own choir, whiich was so popular with its members and the congregation, that Mr. Emerson was encouraged to seek a larger hearing by publishing a collection of church music. Among the tunes was that of Sessions, named after his pastor, which was destined to have a perennial popularity, and is often used in worship in the place of Old Hundred, for the Doxology. At the great Peace Jubilee it was received with applause when sung by a chorus of ten thousand voices, accompanied by an orchestra of two hundred instruments and a great pipe organ. The effect was sublime beyond expression. In 1847 occurred the marriage of Mr. Emerson to Miss Mary Gore, daughter of a prominent Boston merchant. She was a lady of much musical taste and ability. In 1853 he decided to make an effort to put his music before the public, and accordingly went to Boston in search of a publisher. Like most young and unknown authors, he met with but little encouragement, but finally found a publisher in the person of Mr. B. B. Muzzy. Thus was the Romberg Collection published. The book was not pushed — hence it found no market. After a residence of eight years in Salem, Mr. Emerson removed to Boston, accepting the position of organist and musical director at the Bulfinch Street Church, then under the pastoral care of Rev. Wm. R. Alger, which he filled for four years. He eagerly improved the rare means of culture which were once more enjoyed, meanwhile teaching and composing music. In 1857 he formed the connection with Oliver Ditson Company, of Boston, of author and publisher, which has continued to the present time with but one interruption (a single volume brought out by another firm), the Golden Wreath, which at once became popular, and sold forty thousand during the first year, this being the initial volume in the long series since brought out by these publishers. In 1858 came the Golden Harp, which was also a success. These successes gave him not only encouragement, but reputation. Mr. Emerson now entered upon a career of usefulness and popularity for which he had been preparing during the years of self-denying struggle and discipline. He was called to take charge of the music in the Second Congregational Church, Greenfield, Mass., and also of the musical department of Power's Institute, at Bernardston. Amid nature's most beautiful surroundings, he had a quiet retreat for the pursuit of his true vocation, the composition of church music. The first fruit of his genius here was the Sabbath Harmony, in 1860. This book was also a success. In 1863 followed the Harp of Judah, which had the remarkable sale of nearly fifty thousand copies in the first three months. This book probably gave Mr. Emerson his preeminence as a composer of church music, containing as it did his anthem, Guide Me, O Thou Great Jehovah, and many of his finest compositions. Having declined the solicitations of Dr. Lowell Mason to become his associate in music, Mr. Emerson started forth on his own plans, and attained the highest rank among those who loved the pure and beautiful in song. Mr. W. S. B. Mathews, a musical critic, pronounces him the best melodist of all the psalmodic writers. In 1866 the equally successful Jubilate appeared, followed by the Choral Tribute, the Standard and the Leader. In the last two Dr. I. R. Pahner was associated with him. Later on came the Salutation, Voice of Worship, Herald of Praise, etc. The diligence with which Mr. Emerson plied his pen can be estimated when one recalls the fact that he has made seventy-two collections of music, embracing music for churches, singing schools, public schools, choral societies and conventions, instruction books for voice, organ, etc. He has also composed and published scores of songs, quartets and instrumental pieces. The great amount of work this represents can only be appreciated by those who have undertaken similar labors. Some years ago the degree of Doctor of Music was conferred upon Professor Emerson by the Faculty of Findlay College, Findlay, Ohio. For many years past. Dr. Emerson has devoted his energies to the grand purpose of elevating the general character of music in our churches, and thus largely advancing the interests of true worship. He places great stress upon the mission of church music. He regards sacred music as the best expression of devotional feeling that exists. He looks upon sacred song as prayer, and believes that it inspires and intensifies prayer. With this view he has taken an active and prominent part in musical festivals and conventions, of which he has conducted over three hundred throughout the United States and Canada. As a conductor, he stands in the front rank. As a teacher. Dr. Emerson has an exceedingly happy faculty of imparting in a concise manner to his classes. His very pleasing address enables him to command the undivided attention of his pupils. As a singer, he has always held high rank, and has sung much in public. His voice is a baritone of great compass, and quite powerful. As a lecturer upon music, Dr. Emerson has attracted much attention. His most popular lecture is entitled The World of Music, in which he traces its origin and progress, and gives some excellent traits of the lives of the great composers. In this lecture he also shows the design of music, and how it has been prized in every age of the world, among all nations — its power in the Church and State, and the need of its influence in the family — in joy and sorrow — for this life and the life to come. -Biography of Gospel Song and Hymn Writers

Robert Wainwright

1748 - 1782 Person Name: Robert Wainwright, 1748-82 Composer of "MANCHESTER" in The Methodist Hymn-Book with Tunes baptized Sep. 17, 1748, Stockport; d. July 15, 1782, Liverpool; organist and composer

William Tans'ur

1699 - 1783 Person Name: William Tansur, 1700-1783 Composer of "ST. MARTIN'S" in African American Heritage Hymnal William Tansur, b. about 1700, Dunchurch of Barnes; d. 1783, St. Neots Evangelical Lutheran Hymnal, 1908 Also known as Tansur; Tanzer; le Tansur

Etienne Nicolas Méhul

1763 - 1817 Person Name: Mehul Composer of "MANOAH" in His Praise

John Dykes Bower

1905 - 1981 Person Name: John Dykes Bower, 1905- Composer of "HARESFIELD" in The Hymn Book of the Anglican Church of Canada and the United Church of Canada Sir John Dykes Bower CVO (13 August 1905 – 1981) was an English cathedral organist, who served in Truro Cathedral, Durham Cathedral and St Paul's Cathedral. John Dykes Bower was born on 13 August 1905 in Gloucester. He was one of four brothers. Stephen Dykes Bower became a famous church architect. He was educated at Cheltenham College and studied organ under Herbert Brewer, and was organ scholar at Corpus Christi College, Cambridge from 1922. He was organist of: Truro Cathedral 1926 - 1929 New College, Oxford 1929 - 1933 Durham Cathedral 1933 - 1936 St Paul's Cathedral 1936 - 1968 --en.wikipedia.org/wiki/

Deodotus Dutton

1808 - 1832 Person Name: D. Dutton Composer of "WOODSTOCK" in Songs for the Lord's House Dutton, Deodatus, jun., b. cir. 1810, was a native of Monson, Massachusetts, U.S. He was a Licentiate of the third Presbytery, New York, but died before ordination, about 1832. His hymns in common use are:— 1. On Thibet's snow-capt mountain. Missions. This appeared in pt. ii. of the Christian Lyrics, 1831, in 3 stanzas of 8 lines. It is an imitation of Bp. Heber's “From Greenland's icy mountains." 2. O where can the soul find relief from its foes. Heaven. The date and first published of this hymn is uncertain. It is given, together with the above, in the Plymouth Collection, 1855. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907) ================= Born: December 22, 1808, Monson, Massachusetts. Died: December 16, 1832, New York City. Buried: Marble Cemetery, Manhattan, New York. By age 14, Dutton was playing the organ at Center Church in Hartford, Connecticut. He attended Brown University and Washington (now Trinity) College (graduated 1828), and was licensed to preach by the Third Presbytery of New York. However, he never received a pastorate, and was still pursuing his studies at the time of his death. His works include: The American Psalmody, 1829, with Elam Ives, Jr. --www.hymntime.com/tch/

Abraham Maxim

1773 - 1829 Person Name: Maxim Composer of "TURNER" in The Tribute of Praise Abraham Maxim was from Plymouth County, Massachusetts. He settled in the 1790's in Turner, Maine where he taught singing schools and converted to Universalism. Maxim’s works include: The Oriental Harmony, 1802, The Northern Harmony, 1805, and The Gospel Hymn Book, 1818. Dianne Shapiro from introductory essay by Stephen Marini in "The Norumbega Harmony," The University of Mississippi Press, 2004