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Randall Keith DeBruyn

b. 1947 Person Name: Randall DeBruyn, b. 1947 Scripture: Ephesians 1:19-23 Ar of "NETTLETON" in Glory and Praise (3rd. ed.)

Chris Tomlin

b. 1972 Scripture: Ephesians 1:18-23 Author of "How Great Is Our God" in Lift Up Your Hearts

Jesse Reeves

Scripture: Ephesians 1:18-23 Author of "How Great Is Our God" in Lift Up Your Hearts

Ed Cash

Scripture: Ephesians 1:18-23 Author of "How Great Is Our God" in Lift Up Your Hearts

521 - 597 Person Name: St. Columba (521-597) Scripture: Ephesians 1:19-23 Author of "Christ is the world's Redeemer" in Church Hymnary (4th ed.) Saint Columba (Irish: Colm Cille, 'church dove'; 7 December 521 – 9 June 597) was an Irish abbot and missionary credited with spreading Christianity in present-day Scotland. He founded the important abbey on Iona, which became a dominant religious and political institution in the region for centuries. He is the Patron Saint of Derry. He was highly regarded by both the Gaels of Dál Riata and the Picts, and is remembered today as a Christian saint and one of the Twelve Apostles of Ireland. Columba reportedly studied under some of Ireland's most prominent church figures and founded several monasteries in the country. Around 563 he and his twelve companions sailed to Iona in Scotland, then part of the Irish kingdom of Dál Riata, where they founded a new abbey as a base for spreading Christianity among the northern Pictish kingdoms who were pagan. He remained active in Irish politics, though he spent most of the remainder of his life in Scotland. Three surviving early medieval Latin hymns may be attributed to him. Columba was born to Fedlimid and Eithne of the Cenel Conaill in Gartan, near Lough Gartan, in modern County Donegal, Ulster in the north of Ireland. On his father's side, he was great-great-grandson of Niall of the Nine Hostages, an Irish high king of the 5th century. He was baptised in Temple-Douglas, in the County Donegal parish of Conwal (mid-way between Gartan and Letterkenny), by his teacher and foster-uncle Saint Crunathan. When sufficiently advanced in letters he entered the monastic school of Moville under St. Finnian who had studied at St. Ninian's "Magnum Monasterium" on the shores of Galloway. He was about twenty, and a deacon when, having completed his training at Moville, he travelled southwards into Leinster, where he became a pupil of an aged bard named Gemman. On leaving him, Columba entered the monastery of Clonard, governed at that time by Finnian, noted for sanctity and learning. Here he imbibed the traditions of the Welsh Church, for Finnian had been trained in the schools of St. David. In early Christian Ireland the druidic tradition collapsed due to the spread of the new Christian faith. The study of Latin learning and Christian theology in monasteries flourished. Columba became a pupil at the monastic school at Clonard Abbey, situated on the River Boyne in modern County Meath. During the sixth century, some of the most significant names in the history of Irish Christianity studied at the Clonard monastery. It is said that the average number of scholars under instruction at Clonard was 3,000. Twelve students who studied under St. Finnian became known as the Twelve Apostles of Ireland; Columba was one of them. He became a monk and eventually was ordained a priest. Another preceptor of Columba was St. Mobhi, whose monastery at Glasnevin was frequented by such famous men as St. Canice, St. Comgall, and St. Ciaran. A pestilence which devastated Ireland in 544 caused the dispersion of Mobhi's disciples, and Columba returned to Ulster, the land of his kindred. He was a striking figure of great stature and powerful build, with a loud, melodious voice which could be heard from one hilltop to another. The following years were marked by the foundation of several important monasteries, Derry, Durrow, Kells, and Swords. While at Derry it is said that he planned a pilgrimage to Rome and Jerusalem, but did not proceed farther than Tours. Thence he brought a copy of those gospels that had lain on the bosom of St. Martin for the space of 100 years. This relic was deposited in Derry. Tradition asserts that, sometime around 560, he became involved in a quarrel with Saint Finnian of Movilla Abbey over a psalter. Columba copied the manuscript at the scriptorium under Saint Finnian, intending to keep the copy. Saint Finnian disputed his right to keep the copy. The dispute eventually led to the pitched Battle of Cúl Dreimhne in 561, during which many men were killed. A second grievance that he led him to induce the clan Neill to rise and engage in battle against King Diarmait at Cooldrevny in 561 was the king's violation of the right of sanctuary belonging to Columba's person as a monk on the occasion of the murder of Prince Curnan, the saint's kinsman. Prince Curnan of Connaught, who had fatally injured a rival in a hurling match and had taken refuge with Columba, was dragged from his protector's arms and slain by Diarmaid's men, in defiance of the rights of sanctuary. A synod of clerics and scholars threatened to excommunicate him for these deaths, but St. Brendan of Birr spoke on his behalf with the result that he was allowed to go into exile instead. Columba's own conscience was uneasy, and on the advice of an aged hermit, Molaise, he resolved to expiate his offense by going into exile and win for Christ as many souls as had perished in the terrible battle of Cuil Dremne. He left Ireland, to return only once, many years later. Columba's copy of the psalter has been traditionally associated with the Cathach of St. Columba. In 563, he travelled to Scotland with twelve companions, in a wicker coracle covered with leather, and according to legend he first landed on the Kintyre Peninsula, near Southend. However, being still in sight of his native land, he moved further north up the west coast of Scotland. The island of Iona was made over to him by his kinsman Conall, king of the British Dalriada, who perhaps had invited him to come to Scotland in the first place. However, there is a sense in which he was not leaving his native people, as the Irish Gaels had been colonizing the west coast of Scotland for the previous couple of centuries. Aside from the services he provided guiding the only centre of literacy in the region, his reputation as a holy man led to his role as a diplomat among the tribes; there are also many stories of miracles which he performed during his work to convert the Picts, the most famous being his encounter with the Loch Ness Monster in 565 AD, where he banished a ferocious "water beast" to the depths of the River Ness after it had killed a Pict and then tried to attack Columba's disciple (see Vita Columbae Book 2 below). He visited the pagan King Bridei, King of Fortriu, at his base in Inverness, winning the Bridei's respect, although not his conversion. He subsequently played a major role in the politics of the country. He was also very energetic in his work as a missionary, and, in addition to founding several churches in the Hebrides, he worked to turn his monastery at Iona into a school for missionaries. He was a renowned man of letters, having written several hymns and being credited with having transcribed 300 books. One of the few, if not the only, times he left Scotland was towards the end of his life, when he returned to Ireland to found the monastery at Durrow. Columba died on Iona and was buried in AD 597 by his monks in the abbey he created. In AD 794, the Vikings descended on Iona. Columba's relics were finally removed in AD 849 and divided between Scotland and Ireland. The parts of the relics which went to Ireland are reputed to be buried in Downpatrick, County Down, with St. Patrick and St. Brigid or at Saul Church neighbouring Downpatrick. (Names of Iona), Inchcolm and Eilean Chaluim Chille. Columba is credited as being a leading figure in the revitalization of monasticism. It is known that Clan MacCallum and Clan Malcolm are descended from the original followers of Columba, It is also said that Clan Robertson are heirs of Columba. Clan MacKinnon may also have some claim to being spiritual descendants of St Columcille as after he founded his monastery on Isle Iona, the MacKinnons were the abbots of the Church for centuries. This would also account for the fact that Clan MacKinnon is amongst the ancient clans of Scotland. The cathedral of the Catholic Diocese of Argyll and the Isles is placed under the patronage of St. Columba, as are numerous Catholic schools and parishes throughout the nation. The Scottish Episcopal Church and Church of Scotland also have parishes dedicated to him. The village of Kilmacolm in Renfrewshire is also derived from Columba's name. Columba is the patron-saint of the city of Derry, where he founded a monastic settlement in c.AD 540. The name of the city in Irish is Doire Colmcille and is derived from the native oak trees in the area and the city's association with Columba. The Catholic Church of Saint Columba's Long Tower stands at the spot of this original settlement. The Church of Ireland Cathedral in Derry is dedicated to St Columba. St. Colmcilles Primary School and St. Colmcilles Community School are two schools in Knocklyon, Dublin, named after St. Colmcille, with the former having an annual day dedicated to the saint on 9 June. Aer Lingus, Ireland's national flag carrier has named one of its Airbus A330 aircraft in commemoration of the saint (reg: EI-DUO). As of 2011, Canadians who are of Scottish ancestry are the third largest ethnic group in the country and thus Columba's name is to be found attached to Catholic, Anglican and Presbyterian parishes. This is particularly the case in eastern Canada apart from Quebec which is French-speaking. Throughout the U.S.A. there are numerous parishes within the Catholic and Episcopalian denominations dedicated to Columba. Within the Protestant tradition the Presbyterian Church (which has its roots in Scottish Presbyterianism) also has parishes named in honour of Columba. There is even an Orthodox Church monastery dedicated to the saint in the Massachusetts town of Southbridge. St. Columba is the Patron Saint of the Roman Catholic Diocese of Youngstown, OH. The Cathedral there is named for him. --en.wikipedia.org/wiki (excerpts)

Duncan MacGregor

1854 - 1923 Person Name: Duncan Macgregor (1854-1923) Scripture: Ephesians 1:19-23 Translator of "Christ is the world's Redeemer" in Church Hymnary (4th ed.) Born: September 18, 1854, Fort Augustus, Scotland. Died: October 8, 1923. MacGregor attended the parish school in Dunnichen, Forfarshire, and Aberdeen University. He was licensed by the Presbytery of Aberdeen in 1877 and worked as a missionary in Drumoak, Kincardine O’Neil, North Isles, Orkney, and Gardenstown. In 1881, he was ordained and became a minister in Inverallochy. He is remembered as a Gaelic scholar, liturgiologist, and poet. http://www.hymntime.com/tch/bio/m/a/c/macgregor_d.htm

Shirley Erena Murray

1931 - 2020 Person Name: Shirley Erena Murray (b. 1931) Scripture: Ephesians 1:15-16 Author of "Give thanks for life, the measure of our days" in Church Hymnary (4th ed.) Shirley Erena Murray (b. Invercargill, New Zealand, 1931) studied music as an undergraduate but received a master’s degree (with honors) in classics and French from Otago University. Her upbringing was Methodist, but she became a Presbyterian when she married the Reverend John Stewart Murray, who was a moderator of the Presbyterian Church of New Zealand. Shirley began her career as a teacher of languages, but she became more active in Amnesty International, and for eight years she served the Labor Party Research Unit of Parliament. Her involvement in these organizations has enriched her writing of hymns, which address human rights, women’s concerns, justice, peace, the integrity of creation, and the unity of the church. Many of her hymns have been performed in CCA and WCC assemblies. In recognition for her service as a writer of hymns, the New Zealand government honored her as a Member of the New Zealand Order of Merit on the Queen’s birthday on 3 June 2001. Through Hope Publishing House, Murray has published three collections of her hymns: In Every Corner Sing (eighty-four hymns, 1992), Everyday in Your Spirit (forty-one hymns, 1996), and Faith Makes the Song (fifty hymns, 2002). The New Zealand Hymnbook Trust, for which she worked for a long time, has also published many of her texts (cf. back cover, Faith Makes the Song). In 2009, Otaga University conferred on her an honorary doctorate in literature for her contribution to the art of hymn writing. I-to Loh, Hymnal Companion to “Sound the Bamboo”: Asian Hymns in Their Cultural and Liturgical Context, p. 468, ©2011 GIA Publications, Inc., Chicago

D. T. Niles

1908 - 1970 Person Name: Daniel Thambyrajah Niles (1908-1970) Scripture: Ephesians 1:18-19 Author of "The great love of God is revealed in the Son" in Church Hymnary (4th ed.)

Noel Tredinnick

b. 1949 Person Name: Noël Tredinnick Scripture: Ephesians 1:15-23 Adapter of "RACHEL" in Moravian Book of Worship Composer

Frederick William Faber

1814 - 1863 Person Name: F. W. Faber, 1814-1863 Scripture: Ephesians 1:22-23 Author of "There's a wideness in God's mercy" in Common Praise Raised in the Church of England, Frederick W. Faber (b. Calverly, Yorkshire, England, 1814; d. Kensington, London, England, 1863) came from a Huguenot and strict Calvinistic family background. He was educated at Balliol College, Oxford, and ordained in the Church of England in 1839. Influenced by the teaching of John Henry Newman, Faber followed Newman into the Roman Catholic Church in 1845 and served under Newman's supervision in the Oratory of St. Philip Neri. Because he believed that Roman Catholics should sing hymns like those written by John Newton, Charles Wesley, and William Cowpe, Faber wrote 150 hymns himself. One of his best known, "Faith of Our Fathers," originally had these words in its third stanza: "Faith of Our Fathers! Mary's prayers/Shall win our country back to thee." He published his hymns in various volumes and finally collected all of them in Hymns (1862). Bert Polman ================= Faber, Frederick William, D.D., son of Mr. T. H. Faber, was born at Calverley Vicarage, Yorkshire, June 28, 1814, and educated at Balliol College, Oxford, graduating B.A. in 1836. He was for some time a Fellow of University College, in the same University. Taking Holy Orders in 1837, he became Rector of Elton, Huntingdonshire, in 1843, but in 1846 he seceded to the Church of Rome. After residing for some time at St. Wilfrid's, Staffordshire, he went to London in 1849, and established the London "Oratorians," or, "Priests of the Congregation of St. Philip Neri," in King William Street, Strand. In 1854 the Oratory was removed to Brompton. Dr. Faber died Sept. 26, 1863. Before his secession he published several prose works, some of which were in defence of the Church of England; and afterwards several followed as Spiritual Conferences, All for Jesus, &c. Although he published his Cherwell Waterlily and Other Poems, 1840; The Styrian Lake, and Other Poems, 1842; Sir Lancelot, 1844; and The Rosary and Other Poems, 1845; and his Lives of the Saints, in verse, before he joined the Church of Rome, all his hymns were published after he joined that communion. They were included in his:— (1) A small book of eleven Hymns1849, for the School at St. Wilfrid's, Staffordshire. (2) Jesus and Mary: or, Catholic Hymns for Singing and Reading, London 1849. In 1852 the 2nd edition was published with an addition of 20 new hymns. (3) Oratory Hymns, 1854; and (4) Hymns, 1862, being a collected edition of what he had written and published from time to time. Dr. Faber's account of the origin of his hymn-writing is given in his Preface to Jesus & Mary. After dwelling on the influence, respectively, of St. Theresa, of St. Ignatius, and of St. Philip Neri, on Catholicism; and of the last that "sanctity in the world, perfection at home, high attainments in common earthly callings…was the principal end of his apostolate," he says:— “It was natural then that an English son of St. Philip should feel the want of a collection of English Catholic hymns fitted for singing. The few in the Garden of the Soul were all that were at hand, and of course they were not numerous enough to furnish the requisite variety. As to translations they do not express Saxon thought and feelings, and consequently the poor do not seem to take to them. The domestic wants of the Oratory, too, keep alive the feeling that something of the sort was needed: though at the same time the author's ignorance of music appeared in some measure to disqualify him for the work of supplying the defect. Eleven, however, of the hymns were written, most of them, for particular tunes and on particular occasions, and became very popular with a country congregation. They were afterwards printed for the Schools at St. Wilfrid's, and the very numerous applications to the printer for them seemed to show that, in spite of very glaring literary defects, such as careless grammar and slipshod metre, people were anxious to have Catholic hymns of any sort. The manuscript of the present volume was submitted to a musical friend, who replied that certain verses of all or nearly all of the hymns would do for singing; and this encouragement has led to the publication of the volume." In the same Preface he clearly points to the Olney Hymns and those of the Wesleys as being the models which for simplicity and intense fervour he would endeavour to emulate. From the small book of eleven hymns printed for the schools at St. Wilfrid's, his hymn-writing resulted in a total of 150 pieces, all of which are in his Hymns, 1862, and many of them in various Roman Catholic collections for missions and schools. Few hymns are more popular than his "My God, how wonderful Thou art," "O come and mourn with me awhile," and "Sweet Saviour, bless us ere we go." They excel in directness, simplicity, and pathos. "Hark, hark, my soul, angelic songs are swelling," and "O Paradise, O Paradise," are also widely known. These possess, however, an element of unreality which is against their permanent popularity. Many of Faber's hymns are annotated under their respective first lines; the rest in common use include:— i. From his Jesus and Mary, 1849 and 1852. 1. Fountain of love, Thyself true God. The Holy Ghost. 2. How shalt thou bear the Cross, that now. The Eternal Years. 3. I come to Thee, once more, O God. Returning to God. 4. Joy, joy, the Mother comes. The Purification. 5. My soul, what hast thou done for God? Self-Examination 6. O how the thought of God attract. Holiness Desired. 7. O soul of Jesus, sick to death. Passiontide. Sometimes this is divided into two parts, Pt. ii. beginning, “My God, my God, and can it be." ii. From his Oratory Hymns, 1854. 8. Christians, to the war! Gather from afar. The Christian Warfare. 9. O come to the merciful Saviour that calls you. Divine Invitation. In many collections. 10. O God, Thy power is wonderful. Power and Eternity of God. 11. O it is sweet to think, Of those that are departed. Memory of the Dead. 12. O what are the wages of sin? The Wages of Sin. 13. O what is this splendour that beams on me now? Heaven. 14. Saint of the Sacred Heart. St. John the Evangelist. iii. From his Hymns, 1862. 15. Father, the sweetest, dearest Name. The Eternal Father. 16. Full of glory, full of wonders, Majesty Divine. Holy Trinity. 17. Hark ! the sound of the fight. Processions. 18. How pleasant are thy paths, 0 death. Death Contemplated. 19. O God, Whose thoughts are brightest light. Thinking no Evil. 20. O why art thou sorrowful, servant of God? Trust in God. 21. Souls of men, why will ye scatter? The Divine Call. 22. The land beyond the sea. Heaven Contemplated. 23. The thought of God, the thought of thee. Thoughts of God. 24. We come to Thee, sweet Saviour. Jesus, our Rest. In addition to these there are also several hymns in common use in Roman Catholic hymn-books which are confined to those collections. In the Hymns for the Year, by Dr. Rawes, Nos. 77, 110, 112, 117, 120, 121, 122, 125, 127, 128, 131, 140, 152, 154,169, 170, 174, 179, 180, 192, 222, 226, 230, 271, 272, are also by Faber, and relate principally to the Blessed Virgin Mary. Several of these are repeated in other Roman Catholic collections. --John Julian, Dictionary of Hymnology (1907 ================== Faber, Frederick William, p. 361, i. To this article the following additions have to be made:— 1. Blood is the price of heaven. Good Friday. (1862.) 2. Exceeding sorrowful to death. Gethsemane. This in the Scottish Ibrox Hymnal, 1871, is a cento from "O soul of Jesus, sick to death," p. 362, i., 7. 3. From pain to pain, from woe to woe. Good Friday. (1854.) 4. I wish to have no wishes left. Wishes about death. (1862.) 5. Why is thy face so lit with smiles? Ascension. (1849.) The dates here given are those of Faber's works in which the hymns appeared. In addition to these hymns there are also the following in common use:— 6. Dear God of orphans, hear our prayer. On behalf of Orphans. This appeared in a miscellaneous collection entitled A May Garland, John Philip, n.d. [1863], No. 1, in 7 stanzas of 4 lines. In the Roman Catholic Parochial Hymn Book, 1880, it begins, "O God of orphans, hear our prayer." 7. Sleep, sleep my beautiful babe. Christmas Carol. This carol we have failed to trace. 8. By the Archangel's word of love. Pt. i. Life of our Lord. This, and Pt. ii., “By the blood that flowed from Thee"; Pt. iii., "By the first bright Easter day"; also, "By the word to Mary given"; "By the name which Thou didst take"; in The Crown Hymn Book and other Roman Catholic collections, we have seen ascribed to Dr. Faber, but in the Rev. H. Formby's Catholic Hymns, 1853, they are all signed "C. M. C," i.e. Cecilia M. Caddell (p. 200, i.). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ====================== Faber, F. W., pp. 361, i.; 1562, ii. We are informed by members of Dr. Faber's family that his father was Mr. Thomas Henry Faber, sometime Lay Secretary of the Bishop of Durham. In addition to his hymns already noted in this Dictionary, the following are found in various Roman Catholic collections, viz.:— i. From St. Wilfrid's Hymns, 1849:— 1. Dear Father Philip, holy Sire. S. Philip Neri. 2. Hail, holy Joseph, hail. S. Joseph. 3. Mother of Mercy, day by day. Blessed Virgin Mary. ii. Jesus and Mary, 1849:— 4. Ah ! dearest Lord! I cannot pray. Prayer. 5. Dear Husband of Mary. S. Joseph. 6. Dear Little One, how sweet Thou art. Christmas. 7. Father and God! my endless doom. Predestination. 8. Hail, holy Wilfrid, hail. S. Wilfrid. 9. O Jesus, if in days gone by. Love of the World. 10. O turn to Jesus, Mother, turn. B. V. M. 11. Sing, sing, ye angel bands. Assum. B. V. M. iii. Jesus and Mary, 1852:— 12. All ye who love the ways of sin. S. Philip Neri. 13. Day set on Rome! its golden morn. S. Philip Neri. 14. Hail, bright Archangel! Prince of heaven. S. Michael. 15. Hail, Gabriel, hail. S. Gabriel. 16. O Flower of Grace, divinest Flower. B. V. M. 17. Saint Philip! 1 have never known. S. Philip Neri. 18. Sweet Saint Philip, thou hast won us. S. Philip Neri. Previously in the Rambler, May, 1850, p. 425. iv. Oratory Hymns, 1854:— 19. Day breaks on temple roofs and towers. Expect. of B. V. M. 20. How gently flow the silent years. S. Martin and S. Philip. 21. How the light of Heaven is stealing. Grace. 22. Like the dawning of the morning. Expect. of B. V. M. 23. Mother Mary ! at thine altar. For Orphans. 24. My God! Who art nothing but mercy and kindness. Repentance. 25. O blessed Father! sent by God. S. Vincent of Paul. 26. O do you hear that voice from heaven? Forgiveness. 27. The chains that have bound me. Absolution. 28. The day, the happy day, is dawning. B. V. M. 29. The moon is in the heavens above. B. V. M. 30. Why art thou sorrowful, servant of God? Mercy. v. Hymns, 1862:— 31. At last Thou art come, little Saviour. Christmas. 32. By the spring of God's compassions. S. Raphael. 33. Fair are the portals of the day. B. V. M. 34. Father of many children. S. Benedict. 35. From the highest heights of glory. S. Mary Magdalene. 36. Like the voiceless starlight falling. B. V. M. 37. Mary! dearest mother. B. V. M. 38. Mother of God, we hail thy heart. B. V. M. 39. O Anne! thou hadst lived through those long dreary years. S. Anne. Previously in Holy Family Hymns, 1860. 40. O balmy and bright as moonlit night. B. V. M. 41. O Blessed Trinity! Thy children. Holy Trinity. 42. O dear Saint Martha, busy saint. S. Martha 43. O Mother, will it always be. B. V. M. 44. O vision bright. B. V. M. 45. Summer suns for ever shining. B. V. M. 46. There are many saints above. S. Joseph. Previously in Holy Family Hymns, 1860. vi. Centos and altered forms:— 47. Confraternity men to the fight. From "Hark the sound of the fight," p. 362, i. 48. Hail, sainted Mungo, hail. From No. 8. 49. I bow to Thee, sweet will of God. From "I worship Thee," p. 559, ii. 50. They whom we loved on earth. From "0 it is sweet to think," p. 362, i. 51. Vincent! like Mother Mary, thou. From No. 25. When Dr. Faber's hymns which are in common use are enumerated, the total falls little short of one hundred. In this respect he outnumbers most of his contemporaries. [Rev. James Mearns] --John Julian, Dictionary of Hymnology, New Supplement (1907) -------------- See also in: Hymn Writers of the Church