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Hans Utbø

1849 - 1875 Hymnal Number: 719 Author of "Deiligt det er at tjene Gud" in Salmebog for Lutherske Kristne i Amerika

P. L. Haerem

Person Name: Peter Hærem Hymnal Number: 722 Author of "Jesus Krist, du dig forbarme" in Salmebog for Lutherske Kristne i Amerika

J. Herbart

Hymnal Number: 37 Author of "Gud Fader, hør idag vor Raab" in Salmebog for Lutherske Kristne i Amerika

M. N. Schmidt

Person Name: Mikael Schmidth Hymnal Number: 445 Author of "Drag Helligaand, du Lysets Tolk" in Salmebog for Lutherske Kristne i Amerika

C. O. Brohaugh

Person Name: Chr. Brohaugh Hymnal Number: 692 Author of "O Juletid, hvor du er sød" in Salmebog for Lutherske Kristne i Amerika

Christen Pram Gad

1801 - 1877 Person Name: Chr. Pram Gad Hymnal Number: 682 Author of "Vær hegnet her med hellig Fred" in Salmebog for Lutherske Kristne i Amerika

D. Grubbe

Person Name: Diderik Grubbe Hymnal Number: 302 Author of "Kom, du sagtmodig Konge, kom!" in Salmebog for Lutherske Kristne i Amerika

1584 - 1640 Person Name: Joh. Altenburg Hymnal Number: 669 Author of "Forfærdes ei, du lille Hob" in Salmebog for Lutherske Kristne i Amerika Altenburg, Johann Michael, b. at Alach, near Erfurt, on Trinity Sunday, 1584. After completing his studies he was for some time teacher and precentor in Erfurt. In 1608 he was appointed pastor of Ilversgehofen and Marbach near Erfurt; in 1611, of Troch-telborn; and in 1621 of Gross-Sommern or Som-merda near Erfurt. In the troublous war times he was forced, in 1631, to flee to Erfurt, and there, on the news of the victory of Leipzig, Sept. 17, 1631, he composed his best known hymn. He remained in Erfurt without a charge till, in 1637, he was appointed diaconus of the Augustino Church, and, in 1638, pastor of St. Andrew's Church. He d. at Erfurt February 12, 1640 (Koch, iii. 115-117 ; Allg. Deutsche Biog., i. p. 363, and x. p. 766—the latter saying he did not go to Erfurt till 1637). He was a good musician, and seems to have been the composer of the melodies rather than of the words of some of the hymns ascribed to him. Two of his hymns have been tr. into English, viz. :—1. Aus Jakob's Staxnm ein Stern sehr klar. [Christmas.] Included as No. 3 of his Christ-liche liebliche und anddchtige newe Kirchen- und Hauss-Gestinge, pt. i., Erfurt, 1G20, in 3 st. of 5 1. According to Wetzel's A. H., vol. i., pt. v. p. 41, it was first pub. in J. Forster's Jlohen Festtags-Schreinlein, 1611. In the Unv. L. S., 1851, No. 24. It has been tr. as " From Jacob's root, a star so clear," by Miss Manington, 1864, p. 13.2. Verzage nicht du Hauflein klein. [In Trouble.] Concerning the authorship of this hymn there are three main theories—i. that it is by Gustavus Adolphus; ii. that the ideas are his and the diction that of his chaplain, Dr. Jacob Fabricius; and iii. that it is by Altenburg. In tracing out the hymn we find that:—The oldest accessible form is in two pamphlets published shortly after the death of Gustavus Adolphus, viz., the Epicedion, Leipzig, n.d. but probably in the end of 1632 [Royal Library, Berlin]: and Arnold Mengering's Blutige Siegs-Crone, Leipzig, 1633 [Town Library, Hamburg]. In the Epicedion the hymn is entitled, " Konig-licher Schwanengesang So ihre Majest. vor dem Ltltzen-schen Treffen inniglichen zu Gott gesungen "; and in the Siegs-Crone, p. 13, "Der S. Kon. Mayt. zu Schweden Lied, welches Sie vor der Schlacht gesungen." In both cases there are 3 sts. :—i. Verzage nicht, du Hiiuffiein klein. ii. Triistedich dess, dass deine Sach. iii. So wahr Gott Gott ist, und sein Wort.The next form is that in J. Clauder's Psalmodiae Novae Pars Tertia, Leipzig, 1636, No. 17, in 5 st. of 6 lines, st. i.-iii. as above, and—iv. Ach Gott gieb in des deine Gnad v. Hilff dass wir auch nach deinem Wort. No author's name is given. In the Bayreuth G. B., 1668, p. 266, st. iv., v., are marked as an addition by Dr. Samuel Zehner; and by J. C. Olearius in his Lieder-Schatz, 1705, p. 141, as written in 1638 (1633 ?), when the Croats had partially burnt Schleusiugen, where Zehner was then superintendent.The third form of importance is that given in Jcremias Weber's Leipzig G. B., 1638, p. 651, where it is entitled " A soul-rejoicing hymn of Consolation upon the watchword—God with us—used by the Evangelical army in the battle of Leipzig, 7th Sept., 1631, composed by M. Johann Altenburg, pastor at Gross Soinmern in Dtiringen," [i.e. Sommerda in Thuringia]. It is in 5 sts., of which sts. i.-iii. are the same as the 1633, and are marked as by Altenburg. St. iv., v., beginning— iv. Drilmb sey getrost du kleines Heer v. Amen, das hilff Ilerr Jesu Christ, are marked as " Additamentum Ignoti." This is the form in C. U. as in the Berlin G. L. S., ed. 1863, No. 1242.In favour of Altenburg there is the explicit declaration of the Leipzig G. B., 1638, followed by most subsequent writers. The idea that the hymn was by Gustavus Adolphus seems to have no other foundation than that in many of the old hymn-books it was called Gustavus Adolphus's Battle Hymn. The theory that the ideas were communicated by the King to his chaplain, Dr. Fabricius, after the battle of Leipzig, and by Fabricius versified, is maintained by Mohnike in his Hymnologische Forschungen, 1832, pt. ii. pp. 55-98, but rests on very slender evidence. In Koch, viii. 138-141, there is the following striking word-picture:—If, then, we must deny to the hymn Albert Knapp's characterisation of it as " a little feather from the eagle wing of Gustavus Adolphus," so much the more its original title as his "Swan Song" remains true. It was on the morning of the 6 Nov., 1632, that the Catholic army under Wallenstein and the Evangelical under Gustavus Adolphus stood over against each other at Lutzen ready to strike. As the morning dawned Gustavus Adolphus summoned his Court preacher Fabricius, and commanded him, as also the army chaplains of all the other regiments, to hold a service of prayer. During this service the whole host sung the pious king's battle hymn—" Verzage nicht, du Hauflein klein."He himself was on his knees and prayed fervently. Meantime a thick mist had descended, which hid the fatal field so that nothing could be distinguished. When the host had now been set in battle array he gave them as watchword for the fight the saying, "God with us," mounted his horse, drew his sword, and rode along the lines of the army to encourage the soldiers for the battle. First, however, he commanded the tunes Ein feste Burg and Es wollt tins Gott genadig sein to be played by the kettledrums and trumpets, and the soldiers joined as with one voice. The mist now began to disappear, and the sun shone through. Then, after a short prayer, he cried out: " Now will we set to, please God," and immediately after, very loud, " Jesu, Jesu, Jesu, help me today to fight for the honour of Thy Holy Name." Then he attacked the enemy at full speed, defended only by a leathern gorget. " God is my harness," he had said to the servant who wished to put on his armour. The conflict was hot and bloody. About 11 o'clock in the forenoon the fatal bullet struck him, and he sank, dying, from his horse, with the words, “My God, my God!" Till twilight came on the fight raged, and was doubtful. But at length the Evangelical host obtained the victory, as it had prophetically sung at dawn."This hymn has ever been a favourite in Germany, was sung in the house of P. J. Spener every Sunday afternoon, and of late years has been greatly used at meetings of the Gustavus Adolphus Union—an association for the help of Protestant Churches in Roman Catholic countries. In translations it has passed into many English and American collections. Translations in C. U.:— Fear not, 0 little flock, the foe. A good tr. from the text of 1638, omitting st. iv., by Miss Winkworth, in her Lyra Ger., 1855, p. 17. Included, in England in Kennedy, 1863, Snepp's S. of G. and G., 1871, Free Church H. Bk., 1882, and others; and in America in the Sabbath H. Book., 1858, Pennsylvania Luth. Ch. Bk., 1868, Hys. of the Church, 1869, Bapt. H. Bk., 1871, H. and Songs of Praise, 1874, and many others. Be not dismay'd, thou little flock. A good tr. of st. i.-iii. of the 1638 text in Mrs. Charles's V. of Christian Life in Song, 1858, p. 248. She tr. from the Swedish, which, in the Swensha Psalm Boken, Carlstadt, N.D. (1866), is given as No. 378, "Forfaras ej, du lilla hop !" and marked Gustaf II. Adolf. Her version is No. 204 in Wilson's Service of Praise, 1865. Thou little flock, be not afraid. A tr. of st. i.-iii. from the 1638 text, by M. Loy, in the Ohio Luth. Hymnal, 1880, No. 197. Other trs. are all from the text of 1638.(1.) " Be not dishearten'd, little flock," by Dr. II. Mills, 1856, p. 121. (2.) " Despond not, little band, although," by Dr. G. Walker, 1860, p. 41. (3.) "Be not dismay'd, thou little flock, Nor," by E. Massie, 1866, p. 143. (4.) " 0 little flock, be not afraid," in J. D. Burns's Memoir and Remains, 1869. p. 226. –John Julian, Dictionary of Hymnology (1907)

Paul Flemming

1609 - 1640 Hymnal Number: 597 Author of "Jeg gaar til fjerne Lande" in Salmebog for Lutherske Kristne i Amerika Flemming, Paul , son of Abraham Flemming or Fleming, then schoolmaster at Hartenstein, near Zwickau, Saxony (afterwards pastor of Wechselburg, near Mittweida), was born at Hartenstein, Oct. 5 or 12, 1609. He entered the St. Thomas School, Leipzig, in 1623, and matriculated at the University of Leipzig at Michaelmas, 1626, At the University he devoted himself to the study of medicine and of poetry, being laureated as a poet in 1631, and graduating M.A. in 1632. In order to find refuge from the troubles of the Thirty Years' War he went to Holstein in 1633. In the same year he joined an embassy which Duke Friedrich of Schleswig-Holstein was about to send to his brother-in-law, the Russian Czar, as gentleman in waiting and "taster." In this expedition he was engaged from Oct. 22, 1633, to April 6, 1635. He then took part in the embassy sent by the Duke to the Shah of Persia, with the object of opening up the way for trade and Christianity into Central Asia. They set sail from Travemünde, near Lübeck, Oct. 27, 1635, and returned to Gottorf, Aug. 1, 1639. The expedition proved fruitless, and the many dangers and great hardships encountered broke Flemming's health. To qualify himself for medical practice in Hamburg he went to the University of Leyden, where he graduated M.D. in 1640; but shortly after his return to Hamburg he died there, March 25 (April 2), 1640 (Koch, iii. 73-82; Allgemeine Deutsche Biographie, vii. 115-117). Flemming was of an energetic temperament, with an ardent patriotism, and a deep love for the Evangelical Cause. He was a gifted poet, of true and deep feeling, who could write charming descriptions of the beauties of nature, and sweet and tender love songs. His secular poems, however, as a whole have the faults of the Silesian school of Martin Opitz; and it is by his hymns, and especially by his classical "In allen meinen Thaten," that his name lives. His poems were first collected by the father of his betrothed as D. P. Fleming's Teutsche Poemata, and appeared in 1642 in two editions nearly alike, one at Naumburg and Jena, the other at Lübeck. The most complete edition is that by J. M. Lappenberg, 2 vols., Stuttgart, 1865-66. Of his 41 religious poems (12 hymns, 9 odes, 20 sonnets) three have passed into English. i. In alien meinen Thaten . Trust in God. This beautiful hymn was written in November, 1633, just before he started with the embassy to Moscow (see above); and may often have cheered his own sinking spirit then and in the more trying adventures of the second embassy. It first appeared in his Teutsche Poemata , 1642 (Lübeck edition, p. 287; Lappenberg's edition, i. p. 236), as No. 4 in Book i. of the Odes, in 15 stanza of 6 1. It was included in the Stralsund Gesang-Buch, 1665, Freylinghausen's Gesang-Buch , 1704, and almost all recent collections. Sometimes, as in the Unverfalschter Liedersegen, 1851, No. 646, it is given in full, but more frequently the special stanzas appropriate for travellers (vi.-ix., xiii., xiv.) are omitted. It is characterised in Koch, viii. 379, as a "pilgrim song suited for the Christian journey which we must all in faith make through joy and sorrow to our Eternal Home." Lauxmann adds that it has often been used appropriately at weddings, was the favourite hymn of Friedrich Wilhelm III. of Prussia, and was sung at the service in the Cathedral of Berlin, July 19, 1870, on the open¬ing of the North German Diet immediately before the Franco-Prussian War. Translated as:— I leave to His good pleasure , a translation of st. i., ii., iv, by A. T. Russell, as No. 232 in his Psalms & Hymns , 1851. Other translations are : (l) “In all my plans, Thou Highest," by Dr. H. Mills, 1856, p. 167. (2) “Where'er I go, whate'er my task," by Miss Winkworth, 1858, p. 108, repeated in L. Rehfuess's Church at Sea , 1868, p. 9. (3) "In every deed and word," in Madame de Pontes's Poets & Poetry of Germany, 1858, vol. i. p. 416. His hymns not in English common use are:— ii. Ist's mőglich, dass der Haas auch kann geliebet sein. The Love of God. In the Lübeck edition, 1642, p. 555 (Lappenberg's edition, i. p. 450), as No. 16 in Book i. of the Sonnets . Translated as, "Can it then be that hate should e'er be loved," by Miss Winkworth, 1869, p. 175. iii. Lass dich nur Nights nicht tauren. Cross and Consolation. Probably written in Persia during the second embassy. In the Lübeck edition, 1642, p. 283 (Lappenberg's edition, i. p. 244), as No. 1 in Book i. of the Odes, in 3 st. of 6 l. The translations are: (1) "Only let nothing grieve thee," by Madame de Ponies, 1858, v. i. p. 415. (2) "Let nothing make thee sad or fretful," by Miss Winkworth, 1869, p. 175. [Rev. James Mearns, M.A.] - John Julian, Dictionary of Hymnology (1907)

Christian Scriver

1629 - 1693 Person Name: Krist. Scriver Hymnal Number: 613 Author of "Se, Solens skjønne Lys og Pragt" in Salmebog for Lutherske Kristne i Amerika Scriver, Christian, son of Christian Scriver (Schriver, Schreiber), merchant at Rendsburg in Holstein, was born at Rendsburg, Jan. 2, 1629; and was from his birth destined for the ministry. His father died of the plague, in 1629, but by the help of a rich great-uncle, he was able eventually to matriculate at the University of Rostock in Oct., 1647 (M.A., 1649). In 1650 he became tutor to a family at Segeberg, near Lübeck. While visiting a married half-sister at Stendal, he preached there with much acceptance, and was appointed, in 1653, archidiaconus of St. James's Church there. He then became, in 1667, pastor of St. James's Church at Magdeburg, where he was also appointed, in 1674, assessor at the consistory, in 1676 as Scholarch, in 1679 as Senior; and in 1685 had also the parishes and schools of the so-called Holzkreis placed under his inspection. At length he found his work too heavy, and, in 1690, accepted an invitation to Quedlinburg as consistorialrath and chief court preacher at the church of St. Servatius, and also as private chaplain to Anna Dorothea, Duchess of Saxony, and Abbess of the Lutheran Stift at Querllinburg. After a series of strokes of paralysis, he died at Quedlinburg, April 5, 1693 (Koch, iv. 78; Herzog's Real-Encyldo-pädie, xiv. p. 1, &c). Scriver was a most popular, useful, and influential preacher; his earnestness being deepened by the memory of his many wonderful escapes from accident and pestilence. He was also the author of various devotional works, which found much acceptance, e.g. his Gottholds 300 Zufällige Andachte, Magdeburg, 1663 (1671, and later eds., have 400 Andachten: English version, as Gotthold's Emblems, by R. Menzies, D.D., Edinburgh, 1857); his Seelen-Schatz, in 5 parts 1675-92; and his Gotthold's Siech-und Sieges-Bette, in 2 parts, 1687-94. It is difficult to say how many hymns Scriver wrote, apparently about ten. He refers to one or two in hisSeelenschatz and his Andachten, but does not give the full texts. A number are included, as by him, in C. Weise's abridgment of the Seelenschatz, which, was published at Wittenberg, in 1704, as the Seelenschatzes Kraft und Safft; and C. O. Weinschenk, pastor of St. Ulrich's in Magdeburg, in his Erbauliche Leben of Scriver (Magdeburg and Leipzig, 1729), gives a list of those he considers genuine. Those of Scriver's hymns which have passed into English are:— i. Auf, Seel, und danke deinem Herrn. Morning. Included, 1704, as above, and in 1729, also marked as by Scriver. But Scriver's son-in-law, Johann Heinrich Havecker …claims it as his own. Translated as, "To God, my Soul, Thank-offerings pay." By H. J. Bucholl, 1842, p. 30. ii. Der lieben Sonne Licht und Pracht. Evening. This is Scriver's best hymn. Regarding it Lauxmann, in Koch, viii. 201, speaks thus:-—"Of the beautiful hymn of this true Teacher, the Chrysostom of our Lutheran church, in which the thoughts of Gerhardt's evening hymn ring and are powerfully re¬echoed ; st. vi.-viii., are of the greatest force, and of these especially st. viii." He also gives a portion of a sermon on Rogation Sunday, 1671, in which Scriver quotes st. viii. as expressing the deepest sentiments of his heart. Translated as:— 1. With Thee I lay me down to sleep. This is a translation of stanza v., vii., viii., as No. 481, in pt. i. of the Moravian Hymn Book, 1754. It is also found in the following forms:— i. In peace I'll now lie down to sleep. In the Moravian Hymn Book, 1789. ii. I lay me down with Thee to sleep. In Maurice's Choral Hymn Book, 1861. iii. In peace will I lie down to sleep. In the Moravian Hymn Book, 1886. 2. My praise again I offer Thee. A tr. of st. iv., v., by A. T. Russell, as No. 6, in his Psalms & Hymns, 1851. 3. The lovely Sun has now fulfilled. This is a tr. of st. i., iv., v., ix., dated 1882, by M. W. Stryker, in his Hymns & Verses, 1883, p. 28, repeated in his Christian Chorals, 1885, No. 16. In his Song of Miriam, 1888, p. 26, it begins "The golden Sun has now fulfilled." iii. Hier lieg ich nun mein Gott zu deinen Füssen. Repentance. Lent . The translation in common use is:— Here, 0 my God, I cast me at Thy feet . This is a translation of st. i., iii., v., vi., x., xi., xxi., xxiii., xx vi., xxviii., by Miss Winkworth, in her Lyra Germanica, 1st Ser., 1855, p. 63. In her Chorale Book for England, 1863, No. 45, it begins, "Here, O my God, low at Thy feet I bend me;" is altered in metre; and omits the tr. of st. iii., 11. 3, 4; v.; vi., 11. 1, 2; and xxiv. [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)