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James Flint

1779 - 1855 Person Name: Flint Hymnal Number: 745 Author of "In pleasant lands have fallen the lines" in Christian Hymns for Public and Private Worship Flint, James, D.D., born at Reading, Mass., 1779, and graduated at Harvard, 1802. In 1806 he became pastor of a Unitarian Church at East Bridgewater, Mass., from which he passed to East Church, Salem, 1821. Died in 1855. In 1820 he contributed one hymn to Sewell’s New York Collection, and in 1843 he also published A Collection of Hymns, to which he contributed from 10 to 12 originals. His best known hymns are:— 1. Here to the High and Holy One. This hymn, "On leaving an Ancient Church," appeared in the Cambridge Selection of 1828. 2. In pleasant lands have fallen the lines. Remembrance of our Fathers. Written for the bicentenary of Quincy, Mass., May 25, 1840, and published in his Collection, 1843. 3. Happy the unrepining poor. Appeared in Sewell's New York Collection, 1820. Dr. Flint's hymns are unknown to the English Collections. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

Nathaniel Cotton

1707 - 1788 Person Name: Cotton Hymnal Number: 454 Author of "If solid happiness we prize" in Christian Hymns for Public and Private Worship Cotton, Nathaniel, M.D., born in 1707, and educated for the medical profession at Leyden. Giving his attention more especially to brain diseases, he first assisted a physician, who devoted his attention to the insane, at Dunstable; and they erected a large Asylum at St. Albans. In 1763 the poet Cowper became one of his patients, and, on his recovery, conceived a warm attachment for his medical friend. Dr. Cotton died at St Albans, Aug. 2, 1788. Several of his hymns appeared from 1760 onwards in Dr. Dodd's Christian's Magazine, some signed "Dr. Cotton, St. Albans," some “N.," and some without signature. His poetical works were published posthumously:— Various Pieces in Verse and Prose, 2 vols., Lond., Dodsley, 1791; and Visions in Verse, &c, with Memoir, 1808. His hymns came into use through Collyer's Collection, 1812. They are:— 1. Amid the various scenes of ill. Affliction Sanctified. From Various Pieces, &c, 1791. 2. Tell me, my soul, O tell me why. Sin the cause of fear. From Various Pieces, &c, 1791. 3. This is the day the Lord of Life. Sunday. From Various Pieces, &c, 1791. 4. While sorrow wrings my bleeding heart. Suffering. From his version of Ps. xiii., "Offended Majesty, how long ?" in the Christian's Magazine, Feb. 1761. 5. With fierce desire the hunted hart. Ps. 42. Dr. Cotton's most widely known hymn is, “Affliction is a stormy deep," q. v. It is a port of No. 5. --John Julian, Dictionary of Hymnology (1907)

William Roscoe

1753 - 1831 Person Name: Roscoe Hymnal Number: 114 Author of "Let one loud song of praise arise" in Christian Hymns for Public and Private Worship Roscoe, William, the father, was born March 8, 1753, in Liverpool, of humble origin. After very meagre schooling, and three years of work in his father's market garden, he was articled to an attorney, and subsequently practised in Liverpool till 1796, when he withdrew from the profession. From the first literature was his chief delight, and throughout a long career of public usefulness he united its pursuit with the efforts of enlightened patriotism and the advocacy of higher education and reform. Liverpool was a centre of the old slave-trade, and Roscoe was one of the first to raise his voice against the iniquity. At the age of 20 he had already uttered a protest in his descriptive poem Mount Pleasant, and in 1787 he published a longer poem, The Wrongs of Africa (Pt. ii. 1788), devoted to the subject. During his brief parliamentary experience as member for Liverpool, in 1807, he had further opportunity of advocating the cause of liberty and humanity. His first great historical work, the Life of Lorenzo dé Medici, was published in 1796, and the Life and Pontificate of Leo the Tenth, in 1805. After withdrawing from his legal practice, Roscoe had hoped to be able to devote himself entirely to letters, but the claims of friendship induced him in 1800 to enter into a banking business, which involved him in commercial troubles, ending in 1820 in his bankruptcy. His library had to be sold, but part of it was bought by friends, and presented to the Liverpool Athenæum, which in 1789 Roscoe had been instrumental in founding. In 1822 he published Illustrations of the Life of Lorenzo dé Medici, defending the views adopted in his former history, and two years later edited a new edition of Pope's works, with a life of the poet. He died June 30, 1831. (Cf. The Life of William Roscoe, by his son, Henry Roscoe, in 2 vols., London, T. Cadell, 1833.) As a member of the congregation of Unitarians meeting in Renshaw Street Chapel, Liverpool, Roscoe took part in preparing A Selection of Psalms and Hymns for Public and Private Worship, printed for their use in 1818. He contributed eight hymns and the concluding anthem. Of these hymns the following are in common use at the present time:— 1. Let our loud song of praise arise. Praise. 2. Go, suffering habitant of earth. Life, a Warfare. 3. Great God, beneath Whose piercing eye. Divine Providence. 4. Thus said Jesus, Go and do. Love to our Neighbour. 5. What is the first and great command ? The Commandments. These hymns are in several Unitarian collections, including Martineau's Hymns, 1840. No. 3 was written in 1788, as a "secular hymn" of ten stanzas, to be sung at the Benn's Garden Chapel on the Centenary of the Revolution. --John Julian, Dictionary of Hymnology (1907)

Henry Moore

1732 - 1802 Hymnal Number: 128 Author of "My God! thy boundless love I praise" in Christian Hymns for Public and Private Worship Moore, Henry, 1732-1802. Son of a Presbyterian minister of the same name at Plymouth. Educated at Doddridge's Academy at Northampton, from 1757 to 1788 minister at Modbury, and then at Liskeard. Author of Lyrical and Miscellaneous Poems, published posthumously with a memoir by Dr. Aikin. Of his hymns, which are frequent in the books later than Kippis, the Dukinfield Collection, 1822, gives 5. 1. All earthly charms, however dear. The unfading beauty of holiness. 2. Amidst a world of hopes and fears. A prayer for guidance. 3. Assist us, Lord, to act, to be. Divine Help Solicited. 4. My God, thy boundless love I praise. The divine Love. 5. Soft are the fruitful showers that bring. A song of spring and New Life. 6. Supreme and universal light. Prayer for spiritual excellence. --John Julian, Dictionary of Hymnology (1907)

William Hamilton Drummond

1778 - 1865 Person Name: Drummond Hymnal Number: 183 Author of "The God who reigns alone" in Christian Hymns for Public and Private Worship Drummond, William Hamilton, D.D., son of an Irish physician, was born at Ballyclare, Antrim, Ireland, 1772, and died at Dublin, Oct. 16, 1865. Educated for the ministry at the University of Glasgow, he became, in 1793, the pastor of the Second Presbyterian Church, Belfast, and in 1816, of the Strand Street Chapel, Dublin. His poetical works include:— (1) Juvenile Poems, 1797; (2) Trafalger, 1805; (3) The Giant's Causeway, 1811; (4) Clontarf, 1817; (5) Who are the Happy? a Poem, on the Christian Beatitudes, with other Poems on Sacred Subjects, 1818. In 1818 A Selection of Psalms & Hymns for the Use of the Presbytery of Antrim, and the Congregation of Strand Street, Dublin, was published at Belfast. This Selection was probably edited by Dr. Drummond. It contained several of his hymns. Five of these (Nos. 84, 190, 201, 236, 264) were contributed to that edition. From Who are the Happy? the following hymns have come into common use:— 1. A voice from the desert comes awful and shrill. Advent. This is in extensive use in the Unitarian hymn-books of America. 2. Come, let us sound her praise abroad. Charity. 3. Father, I may not ask for less. Charity. This is stanzas ii.-v. of No. 2, with a new introductory stanza. In this form the hymn was given in the Leeds Hymn Book, 1853. 4. Give thanks to God the Lord. Victory through Christ. Limited in use, although a hymn of much spirit. It appeared in the Belfast Psalms & Hymns, 1818. 5. O had I the wings of a dove. Retirement. This hymn is not suited to congregational use. It appeared in the Belfast Psalms & Hymns, 1818. The original texts of these hymns are in Lyra Britannica, 1867, from whence also most of the biographical facts have been taken. A few of Drummond's hymns, in addition to those named, are found in some American Unitarian collections. -- John Julian, Dictionary of Hymnology (1907) ====================== Drummond, William, p. 312, ii. In the British Museum there is a copy of Drummond's Poems as fol¬lows :— Poems by William Drummond of Hawthornedene. The second Impression, Edinburgh. Printed by Andro Hart, 1616. Neither the Flowers of Zion, nor the translations from the Latin are therein. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Stephen Greenleaf Bulfinch

1809 - 1870 Person Name: Bulfinch Hymnal Number: 12 Author of "Hail to the Sabbath day" in Christian Hymns for Public and Private Worship Bulfinch, Stephen Greenleaf, D.D. This Unitarian minister was born at Boston, June 18, 1809, and removed to Washington in 1818, his father being the architect of the Capitol. He graduated at Columbian College and the Cambridge Theological School. In 1831 lie was ordained at Charleston, S.C., as assistant to Dr. Gilman. Subsequently he was pastor at Pittsburg, Pennsylvania; Washington, 1838; Nashua, New Hampshire, 1845; Dorchester, Mass., 1852; and "East Cambridge, Mass., 1865. He died at the last place, Oct. 12, 1870. His works include:— (1) Contemplations of the Saviour; A Series of Extracts from the Gospel History, with Reflections and Original and Selected Hymns. Boston, Carter and Hendee, 1832. This has been reprinted in England. (2) Poems, Charleston, S.C., 1834. (3) Lays of the Gospel, 1845. In addition to these works, which contain his original hymns, he also published (4) The Harp and Cross, a selection of hymns, in 1857. Those of his hymns which have attained ta the greatest popularity are:— 1. Hail to the Sabbath day. Sunday. In the Contemplations, &c, p. 45. It is appended to Sect. xii. on the “Walk through the corn¬fields," and is in 5 stanzas of 4 lines. It is in extensive use both in Great Britain and America, and is the best known of this author'ess hymns. In many collections it begins with st. ii., " Lord, in Thy [this] sacred hour." 2. Hath not thy heart within thee burned? Presence of Christ. In the Contemplations, &c, p. 148, as the accompanying hymn to the Reflections on Jesus appearing to His disciples on their way to Emmaus, It is in 5 stanzas of 4 lines and is given in the Collections of Beard, Martineau, and others in Great Britain. 3. 0 suffering friend of human kind. Passiontide. The hymn in 4 stanzas of 4 lines appended to Sect. xxxv. on "Peter's confession of Christ," in the Contemplations, &c, p. 109. It ranks next in popularity to ”Hail to the Sabbath day." In addition to these hymns which best represent Dr. Bulfinch's power? as a sacred poet, the following are also in limited use:— 4. Burden of shame and woe. Crucifixion. 5. Holy Son of God most high. Miracles of Christ. 6. How glorious is the hour. The New Life. 7. It is finished! Glorious word. Good Friday. 8. There is a strife we all must wage. Life's Duty. These are from his Poems, 1834. The next— 9. What power unseen by mortal eye. Cure of Nobleman's Son. From the Contemplations, &c, p. 56. 10. In the Saviour's hour of death. Good Friday. Also from the Contemplations, p. 142: Dr. Bulfinch's hymns were made known to English readers through Beard's Collection, 1837, in which 19 were given. His hymns throughout are noted for solid and tranquil piety, and deserve a wider circulation than has been accorded to them. They embrace some good hymns on the miracles of Christ. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907) ==================== Bulfinch, Stephen Greenleaf, p. 191, ii. Several of this authors hymns, not noted in this Dictionary, were given in Longfellow and Johnson's Book of Hymns , 1846-8. Additional hymns by him in English common use are:— 1. Benignant Saviour! 'twas not Thine. The Compassion of Christ . From his Contemplations of the Saviour , &c, 1832. In Horder's Congregational Hymns. 1884, it reads “Most gracious Saviour! 'twas not Thine." 2. We gather to the sacred board. Holy Communion. This in Horder is from Bulfinch's Communion Thoughts, 2nd ed., 1852. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

James Merrick

1720 - 1769 Person Name: Merrick Hymnal Number: 54 Author of "The festal morn, my God, is come" in Christian Hymns for Public and Private Worship Merrick, James , M.A., was born in 1720, and educated at Oxford, where he became a Fellow of Trinity College. He entered Holy Orders, but his health would not admit of parish work. He died at Reading, 1769. His publications include:— (1) Messiah, a Divine Essay. Humbly dedicated to the Reverend the Vice-Chancellor of the University of Oxford and the Visitors of the Free School in Reading. By James Merrick, Ætat. 14, Senior Scholar of the School at their last Terminal Visitation, the 7th of October, 1734. Reading. (2) The Destruction of Troy. Translated from the Greek of Tryphiodorus into English Verse, with Notes, &c. 1742. (3) Poems on Sacred Subjects. Oxford . 1763. (4) The Psalms of David Translated or Paraphrased in English Verse. By James Merrick, M.A., late Fellow of Trinity College, Oxford. Reading. J. Carnan and Co. 1765. 2nd ed. 1766. A few only of these paraphrases were divided into stanzas. In 1797 the Rev. W. D. Tattersall pulished the work "Divided into stanzas for Parochial Use, and paraphrased in such language as will be intelligible to every capacity . . . with a suitable Collect to each Psalm from the Works of Archbishop Parker." Merrick's paraphrases, although weak and verbose, were in extensive use in the early part of the present century, both in the Church of England and with Nonconformists. They have, however, fallen very much into disuse. Those in modern hymn-books, mainly in the form of centos, include:— 1. Blest Instructor, from Thy ways. Ps. xix. 2. Descend, O Lord! from heaven descend. Ps. cxliv. (In time of National Peril.) 3. Far as creation's bounds extend. Ps. cxlv. 4. God of my strength, the wise, the just. Ps. xxxi. 5. He who with generous pity glows. Ps. xli. 6. How pleasant, Lord.Thy dwellings are. Ps. lxxxiv. 7. Lift up your voice and thankful sing. Ps. cxxxvi. 8. Lo, my Shepherd's hand divine. Ps. xxiii. 9. Lord, my Strength, to Thee I pray. Ps. xxviii. 10. My heart its noblest theme has found. Ps.xlv. 11. O let me, [gracious] heavenly Lord extend. Ps. xxxix. 12. O turn, great Ruler of the skies. Ps. li. 13. Praise, O praise the Name divine. Ps. cl. 14. Sing, ye sons of [men] might, O sing. Ps. xxix. 15. Teach me, O teach me, Lord, Thy way. Ps. cxix. 16. The festal morn, my [O] God, is come. Ps. cxxii, (Sunday Morning.) 17. The morn and eve Thy praise resound. Ps. lxv. (Harvest.) 18. To Thy pastures, fair and large. Ps. xxiii. From his Poems on Sacred Subjects, 1763, the following centos have also come into common use: -- 19. Author of good, to Thee we turn. Resignation. 20. Eternal God, we look to Thee. Resignation. 21. 'Tis enough, the hour is come. Nunc Dimittis. John Julian, Dictionary of Hymnology (1907)

Benjamin Francis

1734 - 1799 Person Name: Francis Hymnal Number: 761 Author of "Great King of glory, come" in Christian Hymns for Public and Private Worship Francis, Benjamin , M.A., was born in Wales in 1734. He was baptized at the age of 15, and began to preach at 19. He studied at the Bristol Baptist College, and commenced his ministry at Sodbury. In 1757 he removed to Horsley (afterwards called Shortwood), in Gloucestershire. There he remained, through a happy and very successful ministry of 42 years, until his death in 1799. He was the author of many poetical compositions :— (1) Conflagration, a Poem in Four Parts, (1770); (2) Elegies on the Deaths of the Revs. George Whitefield , Caleb Evans, Robert Day, and Joshua Thomas; (3) The Association, a Poem (1790); (4) a Poetical Address to the Stockbridge Indians (5) two satirical pieces on the Baptismal controversy; The Salopian Zealot; and The Oracle, the former passing through several editions and being reprinted in America. Francis was the author of five hymns in Rippon's Selections, 1787, all of which are still in common use :— 1. Before Thy throne, eternal King . Meetings of Ministers: or Church Conferences. 2. Glory to the eternal King. Majesty of God. In Snepp's Songs of Grace & Glory for Private, Family and Public Worship, 1872. 3. In tweet [loud] exalted strains . Opening of a Place of Worship . This was given in Rippon, No. 338, in 6 st. of 6 1. with the note:—“Sung on opening the Meeting House at Horsley, Gloucestershire, [his Chapel,] September 18, 1774; and also at the opening of the New Meeting House, at Downend, near Bristol, October 4, 1786."This hymn is abbreviated in the Baptist Hymnal, 1879, to 4 stanzas, and begins with st. iii. which is altered to "Come, King of glory, come." No. 1020 in Spurgeon's Our Own Hymnbook is the same arrangement of stanzas altered by Mr. Spurgeon to "Great King of Zion, now." In several American hymnals it reads: "Great King of glory, come." 4. My gracious Redeemer, I love. The love of Christ to Men. In various collections. 5. Praise the Saviour, all ye nations . Offertory. In Snepp's Songs of Grace & Glory, 1872, No. 739, "With my substance I will honour," is a cento from this hymn. 6. Ye objects of sense and enjoyments of time . Death. A long hymn of 16 st. of 4 l. given in the new and improved edition of Rippon, 1837, No. 553, Pt. ii. with the heading, "The dying Christian bidding adieu to the world." This hymn had previously appeared in the Baptist Register, 1795. It was as a writer of Welsh hymns, however, that Francis excelled. In 1774 he published his Alleluia, neu Hymnau perthynol i Addoliad Cyhoeddus (Hymns pertaining to Public Worship) To this he contributed 103 hymns. A second volume appeared in 1786, to which he contributed 91 hymns, being a total of 194 in all [D. Sedgwick’s Manuscript]. Of these many are still in common use in Wales, the most popular being:— 1. Clod i'r bendigedig Oen—-a oddefodd. 2. Deffro 'nghalon, deffro 'nghan—-i ddyrchafu. 3. Gwyn fyd y dyn a gred yn Nuw. 4. Arglwydd grasol, clyw fy nghri—-a'm griddfanau. 5. Wele gadarn sylfaen Sion. [Rev. W. R. Stevenson, M.A.] -- John Julian, Dictionary of Hymnology (1907) See also in: Hymn Writers of the Church

Mary Whitwell Hale

1810 - 1862 Person Name: M. W. Hale Hymnal Number: 43 Author of "This day let grateful praise ascend" in Christian Hymns for Public and Private Worship Hale, Mary Whitwell, daughter of Eliphalet Hale of Boston, U.S.A., was born at Boston, Jan. 29, 1810. After receiving a good education she devoted herself to educational work in Boston, Taunton, Keene, N. H., and elsewhere. She died Nov. 17, 1862. Her hymn-writing was brought into notice by two hymns, one on "Home," and the second on "Music," which were written for a juvenile concert at the Unitarian Church in Taunton, April 1834. Several of the hymns and poetical pieces which she subsequently wrote were contributed to the Christian Register under the initials "Y. L. E.," the concluding letters of her name. Her Poems were published at Boston in 1840. A few of her hymns also appeared in the Unitarian Christian Hymns for Public and Private Worship, commonly known as the Cheshire Collection, in 1844. [American Hymnody, § vii.] Putnam (to whom we are indebted for these details) gives the following of her hymns, with others, in full in his Singers and Songs of the Liberal Faith, 1874 : 1. "Praise for the glorious light." Temperance Anniversary. 2. "This day let grateful praise ascend." Sunday. 3. "Whatever dims the sense of truth." A Mother's Counsel. 4. "When in silence o'er the deep." Christmas. These hymns were given in the Cheshire Collection, 1844. Nos. 2 and 3 were taken from her Poems. Some of the other pieces given by Putnam are worthy of attention. -- John Julian, Dictionary of Hymnology

William Cutter

1801 - 1867 Hymnal Number: 689 Author of "What if the little rain drop should say" in Christian Hymns for Public and Private Worship Cutter, William, born at North Yarmouth, Maine, May 15, 1801, and was removed in childhood to Portland, and educated at Bowdoin College, graduating in 1821. He was subsequently engaged for some time in business in Portland, and again in Brooklyn, New York. Died Feb. 8, 1867. Mr. Cutter, who was a member of the Congregational body, was a deserving writer, who has hitherto missed his due meed of acknowledgment. To his friend Mr. Colesworthy we are indebted for the details of his life and hymnological work. His hymns include:— 1. Thy neighbour? it is he whom thou. Christian Brotherhood. This appeared in the Christian Mirror for May 30, 1828 (Mr. Colesworthy thinks that he set the types for it), and again in Cheever'sAmerican Poetry, 1831. An altered form of the hymn, "Who is thy neighbour? he whom thou," soon came into use, and was often printed before it was included anonymously in W. B. O. Peabody's Unitarian Springfield Collection, 1835. From being found in that collection it has been attributed to Peabody in error. 2. Hide not thy talent in the earth. Duty. Appeared in the Christian Mirror, Oct. 10, IS28. In some collections it begins with stanza ii., "What if the little rain should say." 3. She loved her Saviour, and to Him. Thankfulness and Duty. Was first published in the Christian Mirror, but the date is uncertain. It was reprinted by Cheever in his American Poetry, 1831. In addition to the above, Cutter wrote several hymns which appeared in the Mirror, and in the Sunday School Instructor, of which he and Mr. Colesworthy were joint editors. His hymns are unknown to the English collections. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)