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Thomas Blacklock

1721 - 1791 Person Name: Blacklock Hymnal Number: 115 Author of "Come, O my soul, in sacred lays" in Christian Hymns for Public and Private Worship Blacklock, Thomas, D.D., born at Annan, Dumfriesshire, November 10, 1721. He studied at the University of Edinburgh, and was, in 1759, licensed to preach. In 1762 he was ordained pariah minister of Kirkcudbright, but, on account of his blindness, had to resign and retire on an annuity. He went to Edinburgh and there received as boarders University students and boys attending school. In 1767 he received the degree of D.D. from the University of Aberdeen (Marischal College). He was one of the earliest and most helpful literary friends of Robert Burns. He died at Edinburgh July 7, 1791. His Poems were often printed—in 1756 at London, with a Memoir by the Rev. Joseph Spence, Professor of Poetry at Oxford; in 1793, at Edinburgh, with a Memoir by Henry Mackenzie, &c. They include 2 Psalm Versions, and 4 Hymns. "Hail, source of pleasures ever new," is altered from the Hymn to Benevolence, and "Father of all, omniscient mind," is from his version of Psalm 139. No. 16 in the Translations and Paraphrases of 1781, “In life's gay morn," &c, is also ascribed to him. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Sir Walter Scott

1771 - 1832 Hymnal Number: 427 Author of "When Israel, of the Lord beloved" in Christian Hymns for Public and Private Worship Walter Scott was born in Edinburgh, August 15, 1771. In 1786, he commenced his apprenticeship as writer to the Signet. In 1796, he first appeared before the public in a translation of Burger's "William and Helen." Many poetical works followed, until in 1814, he began the series of "Waverly Novels." He died at Abbotsford, September 21, 1832. It is related that on his death-bed he distinctly repeated portions of the Latin original, upon which "That day of wrath, that dreadful day" is based. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ====================== Scott, Sir Walter, Bart., was born in Edinburgh, Aug. 15, 1771, and died at Abbotsford, Sept. 21, 1832. Although so successful and widely known as a poet, he made no direct contributions to hymnody whatever. His condensed rendering of the “Dies Irae", and his hymn of Rebecca in Ivanhoe, "When Israel of the Lord beloved" (q.v.) were utilized as hymns for congregational use by others, but were never intended for such a purpose by himself. His work and rank as poet, novelist, and historian are fully set forth in his Life by J. G. Lockhart. --John Julian, Dictionary of Hymnology (1907)

Rowland Hill

1744 - 1833 Person Name: R. Hill Hymnal Number: 580 Author of "Gently, my Saviour! let me down" in Christian Hymns for Public and Private Worship Hill, Rowland, M.A., son of Sir Rowland Hill, Bart., was born at Hawkstone, near Shrewsbury, Aug. 23,1744, and educated at Shrewsbury Grammar School, Eton, and St. John's College, Cambridge (B.A. 1769). Taking Holy Orders, he was for a time curate of Kingston, near Taunton. Leaving his curacy, but without renouncing his Orders or his connection with the Church of England, he itinerated for some twelve years, preaching mostly in Wilts, Gloucestershire, Somersetshire, and London. At Wotton-under-Edge he built a Chapel, where he often preached, and also opened the well-known Surrey Chapel, London, in 1783. At the latter place he ministered for nearly fifty years. He took great interest in Evangelical and Mission work, was one of the founders of the London Missionary Society, and a member of the first committee of the Religious Tract Society. He died April 11, 1833, He was the author of several prose works; he also compiled the following hymnbooks:— (1) A Collection of Psalms and Hymns for the Use of the Poor, 1774. (2) A Collection of Psalms and Hymns, chiefly intended for Public Worship, 1783. This was enlarged in 1787, and a Supplement was added in 1796. Other revisions followed, the last being in 1830. (3) Divine Hymns attempted in easy language for the Use of Children, 1790 (2nd ed. 1794; later editions 1808 & 1819). The hymns in this work, he tells us, are, with the exception of Nos. 24 and 37, his own, revised and corrected by some one he is not permitted to name (Preface iv.-viii.). (4) A Collection of Hymns for Children, 1808. (5) Hymns for Schools, 1832. In these collections no authors' names are given, and his own contributions, except in the case of the children's Hymns, 1790, are difficult to determine. By common consent the following, including some from the 1790 Hymns, are attributed to him:— 1. Come, Holy Ghost, the Comforter. Whitsuntide. No. 30 of his Divine Hymns for Children, 1790, in 5 st. of 4 1. and headed "A Child's Prayer to God the Holy Spirit." It was repeated in the later editions of the Divine Hymns, and is found in modern hymn books. 2. Dear Friend of friendless sinners, hear. A Prayer for Rest in God. In his Psalms & Hymns &c, 1783, No. 89, in 4 st. of 6 1., and headed "A Prayer for the promised Rest." In modern hymnbooks its use is limited. 3. Happy the children who betimes. Godly Education. No. 8 in his Divine Hymns, 1790, in 5 st. of 4 1., and headed " The Blessings of a godly Education." It was repeated in later editions, and, sometimes with the omission of st. v. in modern collections for children. 4. Lord, we raise our feeble voices. Praise to Jesus . Major, in his Book of Praise for Home & School, dates this hymn 1800. It is found in several collections for children. 5. My parents gave me, Lord. A Child's Dedication to God. No. 13 in his Divine Hymns, 1790, in 6 stanzas of 6 lines, and headed "A Child's Hymn on easy Dedication to God in Holy Baptism." It is in a few modern collections. 6. We sing His love Who once was slain. The Resurrection. Appeared in the 1796 Supplement to his Psalms & Hymns It is in American common use. 7. When Jesus first at heaven's Command. The Kingdom, of Christ exalted. Composed for the London Missionary Society, and printed in the Evangelical Magazine, 1797, vol. v. p. 263. It is appended to the author's sermon to the volunteers preached at Surrey Chapel, 1803, and was also included in the 1810 ed. of his Psalms & Hymns, No. 302, in 6 stanzas of 4 lines with the chorus, "Hail Immanuel," &c. 8. With heavenly power, 0 Lord defend. Departure of Ministers. Published in his Psalms & Hymns, 1783, No. 234, in 4 stanzas of 4 l,ines and headed "For Ministers at their Departure." In modern hymn books it is generally given in 2 stanzas. 9. Ye that in these [His] courts are found. Public Worship. This is usually attributed to R. Hill. It appeared, however, in Lady Huntingdon's Hymn Book, 1765, p. 404 (ed. 1773, p. 256), and can scarcely be his. In his Psalms & Hymns 1783. It is usually given as "Ye that in His courts," in modern collections. The person referred to as having revised the Divine Hymns, 1790, was the poet Cowper. The best known of R. Hill's hymns, "Cast thy burden on the Lord," and "Gently, my Saviour, let me down," are annotated under their respective first lines. His Life, by the Rev. E. Sidney, M.A., was published in 1834. --John Julian, Dictionary of Hymnology (1907)

Thomas Jervis

1748 - 1833 Person Name: Jervis Hymnal Number: 44 Author of "With sacred joy we lift our eyes" in Christian Hymns for Public and Private Worship Jervis, Thomas, son of a Presbyterian Minister of the same name, was born at Ipswich in 1748, and educated for the Ministry at Hoxton. In 1770 he was appointed classical and mathematical tutor at the Exeter Academy. From 1772 to 1783 he was tutor to the sons of the Earl of Shelburne, at Bowood, where Dr. Priestley was librarian. In the latter year Jervis succeeded Dr. A. Rees at St. Thomas's Southwark, moving in 1796, after the death of Dr. Kippis, to the Princes' St. Chapel, Westminster. From 1808 to 1818 he was minister at the Mill Hill Chapel, Leeds. After his retirement he lived in the neighbourhood of London, and died there in 1833. Jervis was one of the four editors of A Collection of Hymns & Psalms for Public & Private Worship, London, 1795. He contributed 17 hymns to the 1st ed., and 4 to its Supplement, 1807. Of these several are found in later Unitarian collections in Great Britain and America, including:— 1. God to correct a guilty world. Divine Providence. 2. Great God, Thine attributes divine. Confidence in God. 3. Lord of the world's majestic frame. Praise a Duty. 4. Shall I forsake that heavenly Friend? Constancy desired. 5. Sweet is the friendly voice which [that] speaks. Peace to the Penitent. 6. Thou, Lord, in mercy wilt regard. Penitence. 7. With sacred joy we lift our eyes. Divine Worship. This is given in Laudes Domini, N.Y., 1884, as: "With joy we lift our eyes." These hymns all date from 1795, and the most popular are Nos. 4 and 6. [Rev. Valentine D. Davis, B.A.] --John Julian, Dictionary of Hymnology (1907)

George Sandys

1577 - 1643 Person Name: Sandys Hymnal Number: 117 Author of "Thou who dwellest enthroned above" in Christian Hymns for Public and Private Worship Sandys, George, son of Dr. Edwin Sandys, Archbishop of York, was born at Bishopthorpe Palace, York, in 1577, and educated at St. Mary Hall and Corpus Christi College, Oxford. For some years he devoted himself to travelling in Europe and Asia, and published in 1615 a curious account of his experiences. After visiting America, where he was for a time the Treasurer of the British Colony of Virginia, he became, on his return, a Gentleman of the Privy Chamber of Charles I. He died at Bexley Abbey, Kent, March 1643. His publications included his Traveller's Thanksgiving; the prose work on his travels, A Relation of a journey begun in 1610, &c, 1615; a translation of the Metamorphoses of Ovid; and Grotius's tragedy of Christ's Passion. His productions which most nearly concern hymnology were:— (1) A Paraphrase upon the Psalmes of David, and upon the Hymns dispersed throughout the Old and New Testaments. London: at the Bell in St. Paul's Churchyard. MDCXXXVI. (2) A Paraphrase upon the Divine Poems by George Sandys. London: at the Bell in St. Paul's Churchyard. M.DCXXXVIII. This volume contained the Paraphrase of the Psalms, paraphrases upon Job, Ecclesiastes, the Lamentations of Jeremiah, and the Songs collected out of the Old and New Testaments. (3) His paraphrase of The Song of Solomon was published in 1642. The most available form of these works is the Rev. R. Hooper's reprint of Sandys's Poems, in Smith's Library of Old Authors. A few only of Sandys's versions of the Psalms are found in modern hymnbooks, although they were set to music by Henry Lawes. His influence, however, upon later paraphrasers was considerable. The following, together with a few others annotated under their respective first lines, are in common use:— 1. How are the Gentiles all on fire. Ps. ii. 2. Lord, for Thee I daily cry. Ps. lxxxiv. 3. My God, Thy suppliant hear. Ps. lxxxvi. 4. Praise the Lord enthroned on high. Ps. cl. 5. Sing the Great Jehovah's praise. Ps. lxvi. 6. Thou, Lord, my witness art. Ps. cxxxi. 7. Thou who art [dwellest] enthroned above. Ps. xcii. 8. You, who dwell above the skies. Ps. cxlviii. These paraphrases as in common use are in the form of centos. --John Julian, Dictionary of Hymnology (1907) ==================== Sandys, G.., p. 994, i. Another cento from his Paraphrase upon the Psalmes of David, &c, 1638, as "Let God, the God of battles, rise" (Ps. lxviii.), is in the Hymn Book for Use in Wellington College, 1902. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Thomas Gibbons

1720 - 1785 Person Name: Gibbons Hymnal Number: 168 Author of "Thy goodness, Lord, our souls confess" in Christian Hymns for Public and Private Worship Gibbons, Thomas, was born at Beak, near Newmarket, May 31, 1720; educated by Dr. Taylor, at Deptford; ordained in 1742, as assistant to the Rev. Mr. Bures, at Silver Street Chapel, London; and in 1743 became minister of the Independent Church, at Haberdashers' Hall, where he remained till his death, Feb. 22, 1785. In addition to his ministerial office he became, in 1754, tutor of the Dissenting Academy at Mile End, London; and, in 1759, Sunday evening lecturer at Monkwell Street. In 1760 the College at New Jersey, U.S., gave him the degree of M.A. and in 1764 that of Aberdeen the degree of D.D. His prose works were (1) Calvinism and Nonconformity defended, 1740; (2) Sermons on various subjects, 1762; (3) Rhetoric, 1767; (4) Female Worthies, 2 vols., 1777. Three volumes of sermons were published after his death. His poetical works were:— (1) Juvenilia; Poems on various subjects of Devotion and Virtue, 1750, was published by subscription. Among the subscribers is found the name of the Rev. Mr. George Whitefield, B.A. It was dedicated to the Countess of Huntingdon, and bears her coat of arms. In this volume are included versions of six of the Psalms, and a few hymns. (2) Hymns adapted to Divine wor¬ship in two books. Book I. Derived from select passages of Holy Scriptures. Book II., Written on sacred subjects and particular occasions, partly collected front various authors, but principally composed by Thomas Gibbons, D.D., 1769. (3) Hymns adapted to Divine worship in two books. Book I. Derived from select passages of the Holy Scriptures. Book II. Written on sacred subjects and particular occasions by Thomas Gibbons, D.D., 1784. (4) The Sermons, published in 1762, included fifteen hymns, one being appended to each sermon. (5) The Christian Minister in three poetical epistles to Philander, 1772. This volume included (i.) Poetical versions of several parts of Scripture, (ii.) Translations of poems from Greek and Latin writers, (iii.) Original pieces on various occasions. (6) An English version of the Latin Epitaphs on the Nonconformist's Memorial, with a poem to the memory of the 2000 ministers ejected in 1662, 1775. (7) Select Portions of Scripture, and Remarkable Occurrences, versified for the Instruction and entertainment of Youth of both Sexes, 1781. Reprinted in America, 1805. Dr. Gibbons may be called a disciple in hymnwriting of Dr. Watts, whose life he wrote. His hymns are not unlike those of the second rank of Watts. He lacked "the vision and faculty divine," which gives life to hymns and renders them of permanent value. Hence, although several are common use in America, they are dying out of use in Great Britain. The most popular are, "Now let our souls on wings sublime"; "Great God, the nations of the earth"; "Thy goodness, Lord, our souls confess"; "To Thee, my God, whose presence fills." [Rev. W. Garrett Horder] The less important of Dr. Gibbons's hymns, which are still in common use are:— 1. And be it so that till this hour. Hope. This is No. 50 in Book ii. of his Hymns adapted to Divine Worship, &c, 1769, in 5 stanzas of 4 lines, and headed, "Encouragement against Despair; or, Hope still set before us." Originally a Sacramental hymn in Rippon's Selections, 1787, No 230, it was altered to a general hymn, with special reference to "Hope." 2. Assist us, Lord, Thy Name to praise. Life, a race. In Rippon's Baptist Selections, 1787, No. 326, in 4 stanzas of 4 lines. 3. Eternal life, how sweet the sound. Eternal Life. This is one of three hymns on Titus iii. 7, in his Hymns adapted to Divine Worship, &c, 1784, Book i., No. 156, in 5 stanzas of 4 lines. In the American Dutch Reformed Hymns of the Church, 1869, No. 843 begins with st. ii., "Eternal life, how will it reign?" 4. Father, is not Thy promise pledged? Missions. This is Pt. iii.of his hymn, "Great God, the nations of the earth" (q. v.). 5. Forgiveness, 'tis a joyful sound. Pardon. From his Hymns adapted to Divine Worship, &c, 1769. Book i., No. 69, in 5 stanzas of 4 lines into several modern collections in Great Britain and America. It is based on St. Luke, vii. 47. 6. From winter's barren clods. [Spring.] Appeared in his Hymns, &c, 1784, Book ii., No. 27, in 5 stanzas of 4 lines, and headed, "The Return of the Spring celebrated in the Powerful and Gracious Work of God." In 1787 it was repeated anonymously in Rippon's Baptist Selections, No. 499. The hymn, "Great God, at Thy command, Seasons in order rise," begins with st. iii. of this hymn. 7. Happy the men in ancient days. Public Worship. In his Hymns adapted to Public Worship, &c, 1784. 8. On Zion, his most holy mount. Gospel Feast. From his Hymns adapted for Divine Worship, &c, 1769, Book i., No. 35, in 6 stanzas of 4 lines. It was originally a Sacramental hymn, but in its abbreviated form, as in use in America, that element is eliminated. 9. Our Father, high enthroned above. Lord's Prayer. Appeared in the Bristol Baptist Collection of Ash & Evans, 1769, No. 41, in 9 stanzas of 4 lines. In 1772 it was reprinted in a revised form, and with an additional stanza, in Gibbons's Christian Minister, p. 74. 10. Thy goodness, Lord, our souls confess. Providence and Grace. Appeared in the Gospel Magazine, 1775, and in his Hymns adapted to Divine Worship, &c, 1784, Bk. ii., No. 11, in 7 stanzas of 4 lines. In Dobell's Selections, 1806, st. i.-iv., and vi. were given with alterations, which were not improvements, as No. 9. This arrangement is repeated in modern hymnbooks, including the Baptist Hymnal, 1879, and others. 11. When Jesus dwelt in mortal clay. Jesus our Example. From his Hymns adapted to Divine Worship, &c, 1784, Book i., No. 128, in 9 stanzas of 4 lines into a few American collections, including the Baptist Praise Book, 1871. The more important of Dr. Gibbons's hymns are annotated under their respective first lines. [William T. Brooke] -- John Julian, Dictionary of Hymnology (1907) ====================== Gibbons, Thomas, p. 420, i. From his Hymns, &c, of 1784, are also in common use:— 1. Lord God, omnipotent to bless. Divine Help desired. 2. Now may the God of peace and love. Close of Service. (1769. Pt. i.) 3. O what stupendous mercy shines. Benevolence. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Baptist Wriothesley Noel

1799 - 1873 Person Name: B. W. Noel Hymnal Number: 800 Author of "When restless on my bed I lie" in Christian Hymns for Public and Private Worship Noel, Hon. Baptist Wriothesley, M.A., younger son of Sir Gerard Noel Noel, Bart., and brother of the Earl of Gainsborough, was born at Leithmont, near Leith, July 10, 1799, and educated at Trinity College, Cambridge. Taking Holy Orders he was for some time Incumbent of St. John's Episcopal Chapel, Bedford Row, London, and Chaplain to the Queen; but in 1848 he seceded from the Church of England, and subsequently became a Baptist Minister. He was pastor of St. John's Street Chapel, Bedford Row, until 1868. He died Jan. 19, 1873. His prose works, about twelve in all, were published between 1847 and 1863. His association with hymnology is through:— (1) A Selection of Psalms and Hymns adapted chiefly for Congregational and Social Worship by Baptist Wriothesley Noel, M.A. (2) Hymns about Jesus, by Baptist Wriothesley Noel, N.D. A collection of 159 hymns, the greater part of which are his own or recasts by him of older hymns. The Selection appeared in 1832. It passed through several editions (2nd ed., 1838; 3rd, 1848, &c), that for 1853 being enlarged, and having also an Appendix of 39 original "Hymns to be Used at the Baptism of Believers." From this Selection the following hymns are still in common use:— 1. Devoted unto Thee. Holy Baptism. From "0 God, Who art our Friend." 2. Glory to God, Whose Spirit draws. Holy Baptism. 3. Jesus, the Lord of glory died. Jesus the Guide. 4. Lord, Thou hast promised to baptize. Holy Baptism. 5. We gave [give] ourselves to Thee. Holy Baptism. --John Julian, Dictionary of Hymnology (1907)

Samuel Gilman

1791 - 1858 Person Name: S. Gilman Hymnal Number: 639 Author of "O God, accept the sacred hour" in Christian Hymns for Public and Private Worship Gilman, Samuel, D.D., was born at Gloucester, Massachusetts, Feb. 16, 1791; graduated at Harvard, 1811, and was a tutor there from 1817 to 1819. In 1819 he became the pastor of a Unitarian congregation at Charlestown, South Carolina, and retained the same to his death. He died at Kingston, Mass., Feb. 9, 1858. His hymns include:— 1. 0 God, accept the sacred hour. Holy Communion. Contributed to Dr. Harris's Hymns for the Lord's Supper , July, 1820, republished in Sewall's Unitarian Collection, New York, 1820, and in later collections. 2. We sing Thy mercy, God of love. Holy Communion. Published as in the case of No. 1. 3. Yes, to the [that] last command. Holy Communion. Published as in the case of Nos. 1 & 2. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

Sir Henry Wotton

1568 - 1639 Hymnal Number: 876 Author of "How happy is he born and taught" in Christian Hymns for Public and Private Worship Wotton, Sir Henry, M.A., born in Kent in 1568, and educated at New and at Queen's Colleges, Oxford. After spending nine years on the Continent, on his return he became secretary to Robert, Earl of Essex, with whom he continued until Essex was committed for high treason, when he retired to Florence. There he became known to the Grand Duke of Tuscany, and was sent by him, in the name of "Octavio Baldi," with letters to James VI., King of Scotland, in which the king was informed of a design against his life. On succeeding to the English throne James knighted Wotton and sent him as ambassador to the Republic of Venice. In 1623 he was made Provost of Eton (having previously taken Deacon's Orders). He died in 1639. His works include The Elements of Architecture, Parallel between the Earl of Essex and the Duke of Buckingham, Essay on Education, &c. His poems and other matters found in his manuscripts were published posthumously by Izaak Walton in 1651, as Reliquiae Wottonianae. This has been several times reprinted --John Julian, Dictionary of Hymnology (1907)

R. C. Waterston

1812 - 1893 Person Name: Waterston Hymnal Number: 670 Author of "One sweet flower has drooped and faded" in Christian Hymns for Public and Private Worship Waterston, Robert Cassie, M.A., son of Robert Waterston, was born at Kennebunk, in 1812, but has resided from his infancy at Boston, Massachusetts. He studied Theology at Cambridge; had for five years the charge of a Sunday school for the children of seamen; was associated for several years with the Pitts Street Unitarian Chapel, Boston; and then pastor for seven years of the Unitarian Church of the Saviour in the same city. Much of his time has been given to literature, and a long list of his papers of various kinds is given in Putnam's Singers and Songs of the Liberal Faith, 1874. He also interested himself largely in educational matters. He contributed one hymn to the American Unitarian Cheshire Pastoral Association Christian Hymns, 1844; to his own popular Supplement to Greenwood's Psalms and Hymns, 1845, and others to various works. Putnam gives 20 poetical pieces in his Singers and Songs, &c, 1874, amongst which are the following, which are in common use at the present time:— 1. In darkest hours I hear a voice. Looking unto Jesus. Contributed to Putnam's Singers and Songs, &c, 1874, and found in a few collections. 2. In each breeze that wanders free. Nature and the Soul. Published before 1853, and again in Putnam, 1874. The hymn "Nature, with eternal youth," in Hedge and Huntington's Hymns for the Church of Christ, 1853, No. 185, is composed of stanza iv-vii. of this piece. 3. One sweet [bright] flower has drooped and faded. Death of a Child. Appeared in the American Unitarian Cheshire Pastoral Association Christian Hymns, 1844, No. 668, and again in Putnam, 1874, as “One bright flower, &c." It is in several collections. In the Christian Hymns the heading is "Death of a Pupil;" and Putnam, "On the Death of a Child. Sung by her classmates." In Putnam there are other pieces by him which are worthy of attention. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

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