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Robert Hall Baynes

1831 - 1895 Person Name: R. H. Baynes, 1831-1895 Author of "Jesus, to Thy table led" in Methodist Hymn and Tune Book Baynes, Robert Hall, M.A., s. of the Rev. Joseph Baynes, b. at Wellington, Somerset, Mar. 10, 1831, and educated at St. Edmund Hall, Oxford, graduating B.A. 1856, and M.A. 1859. Ordained in 1855, he held successively the Curacy of Christ Church, Blackfriars, the P. Curacy of St. Paul's, Whitechapel; of Holy Trinity, Maidstone, and of St. Michael's, Coventry. In 1870 he was Bp. designate of Madagascar; but resigned in 1871. In 1873 he was appointed Hon. Canon of Worcester Cathedral, and in 1880 Vicar of Holy Trinity, Folkestone. Canon Baynes is more widely known as the compiler of some most successful books of sacred poetry than as an original hymn-writer, although some of his hymns are of considerable merit, and are in extensive use. Of these the best known are “Jesu, to Thy table led," and "Holy Spirit, Lord of glory." He was editor of Lyra Anglicana, 1862; English Lyrics, 1865; The Canterbury Hymnal, 1864 ; and the Supp. Hymnal, 1869 (all pub. Lond., Houlston & Wright); The Illustrated Book of Sacred Poems, Lond., Cassell & Co., and is the author of original Autumn Memories and other Verses, Lond., Houlston & Wright, 1869. His hymns appeared in The Canterbury Hymnal, the Autumn Memories, and in the Churchman’s Shilling Magazine, of which he was sometime editor. His Home Songs for Quiet Hours were pub. in 1878, and Hymns for Home Mission Services in the Church of England, 1879. To his eucharistic manual, At the Communion Time, a series of hymns for Holy Communion are added. D. March 12, 1895. -John Julian, Dictionary of Hymnology (1907) ==================== Baynes, R. H., p. 119, i. Other hymns in common use are:— i. In his Canterbury Hymnal, 1863. 1. Bend every knee at Jesus' name. Missions. ii. In Mrs. Brock's Children's Hymn Book, 1881. 2. God Almighty, in Thy temple. Holy Trinity. This begins in his Hymns & Other Verses, 1887, "God Almighty, Heavenly Father." 3. Lord Jesu! on our forehead. Confirmation. 4. 'Neath the stars which shone so bright. Christmas Carol. 5. No room within the dwelling. Christmas. 6. O Man of Sorrows, Who didst die to save. Death and Burial. iii. In A. J. Soden's Universal Hymn Book, 1885. 7. Great Shepherd of Thy ransomed flock. Holy Communion. 8. Jesu, Thou true and living Bread. Holy Communion. 9. The day is done; beside the sultry shore. Evening. Eternity. Of these hymns, Nos. 2, 4, 5, 7, 8, 9, are in Canon Baynes's Hymns and Other Verses, 1887. There are also others in the same work which are worthy of notice, especially one for a Flower Service, written in 1885, “Lord Jesu! we adore Thee." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Pope Innocent III

1160 - 1216 Person Name: Innocent III, 1160-1216 Author (attributed to) of "Holy Spirit, Lord of Light" in The Cyber Hymnal

Martin Moller

1547 - 1606 Person Name: M. Moller Author of "Holy Ghost, my comforter!" in The Lutheran Hymnary Moller, Martin, son of Dionysius Moller, mason at Liessnitz (now Kroptädt), near Wittenberg, was born at Liessnitz, Nov. 11, 1547. He attended the town school at Wittenberg and the gymnasium at Görlitz, but was too poor to go to any university. In 1568 he was appointed cantor at Löwenberg in Silesia, but in April, 1572, was ordained as pastor of Kesselsdorf, near Löwenberg. In the autumn of 1572 he was appointed diaconus at Löwenberg, in 1575 pastor at Sprottau, and in July, 1600, became chief pastor at Görlitz. He preached his last sermon, Oct. 30, 1605, and died at Görlitz, March 2, 1606 (Koch, ii. 211, iv. 552, &c). Moller's hymns appeared in his two very popular devotional books, (I) Meditationes sanctorumpatrum, Görlitz, 1584; pt. ii., Görlitz, 1591, and various later eds. This was mostly made up of meditations from St. Augustine, St. Bernard, and Tauler, selected and tr. into German by Moller. (2) Manuale de praeparatione ad mortem. Görlitz, 1593 [Library of the Prediger-Seminar at Hannover]. Wackernagel, v., Nos. 71-75, gives only 5 hymns under Moller's name. Of these No. 72 ("Heiliger Geist, du Tröster mein") is from “Veni Sancte Spiritus, et emitte " (q.v.), and No. 73, (“Nimm von uns Herr") from "Aufer immensam.” Two versions of the "Jesu dulcis memoria " have also often been ascribed to Moller, viz. "Ach Gott, wie manches Herzeleid", and, with less reason, "O Jesu süss, wer dein gedenkt." [Rev. James Mearns, M.A.] ----John Julian, Dictionary of Hymnology (1907)

Christian Karl Josias, Freiherr von Bunsen

1791 - 1860 Person Name: Christian C. J. Bunsen Translator (from Latin to German) of "Holy Ghost, My Comforter" in The Cyber Hymnal Bunsen, Christian Carl Josias, Baron, Prussian Minister at Rome, 1823-1838; at Berne, 1839-1841; Ambassador to England, 1841-1854; was born at Corbach in Waldeck, 25th August, 1791; died at Bonn, November 28th, 1860. Having gained high honours in the Universities of Marburg and Gottingen, he began life as an assistant master in the Gymnasium of Gottingen, but soon quitted that post to prosecute the enquiries which he felt to be the true aim of his life, and for which he had already, at the age of 24, conceived the idea of a comprehensive plan of philological and historical research, culminating in a synthesis of philology, history and philosophy, with the application of that synthesis to religious and civil legislation. To the accomplishment of this youthful scheme it may truly be said that his whole life was dedicated; for though employed in the diplomatic service of his country fur 37 years, he unremittingly carried on his labours as a scholar, and always regarded public questions under the aspect of their bearing on the moral and religious welfare of man, governing his publications by his convictions on these points, in the pursuit of the aims thus indicated, he studied successively the languages and antiquities of the Germanic, Indo-Peraie, Semitic, and Egyptian peoples, the fruit of his investigations being enbodied in his:— (1) "Description of Borne," 1819; (2) "Egypt's Place in the World's History," 1848; (3) "Hippolytus and his Age," 1852; (4) "Outlines of a Philosophy of Cniversal History," 1854; (5) "Signs of the Times," 1855; (6) "God in History," 1857-58; and lastly his (8) "Bibel-Werk," or Critical Text of the Bible, with com¬mentaries, which he did not live to complete. The titles of these writings will indicate the fact that the studies and employments which aver came nearest to his heart lay in the direction of theology, believing as he did that the revivification of practical Christianity was the "essential condition of universal well-being"—of "the salvation of Church and State." ” It is my conviction," he says (1821, set. 29), "that all communion essentially consists in a common belief in the facts of the redemption of the human race through Christ; but when ... a congregation is to be thereby formed, three points must be considered: first, agreement by means of a theological expression of the points of faith; secondly, congregational discipline; thirdly, a common form of worship." It was for the third of these that Bunsen felt himself especially called to labour; writing in 1821:— "When I thought myself in my late illness on the brink of eternity ... I enquired what I ought to make my calling if God should prolong my life . . . and upon my theological labours I rested as the quarter in which my calling was to be sought. My thoughts were bent principally on my liturgical enquiries." In 1822 he composed the Liturgy still in use at the German Chapel on the Capitol, followed in 1833 by his Versuch eines allgemeinen evangelischen Gesang- und Gebeibuclis, containing 934 Hymns and 350 prayers. In Germany the tendency of the centuries that had elapsed since the great age of hymn-writers had been to adapt their language and modify their thoughts in accordance with modern taste till, as Bunsen says, "Almost everywhere do weo find the admirable ancient hymns driven out of use by modern ones which are feeble and spiritless." Luther's asperities of diction and metre had to be softened down, in order to fit them to be sung in an age rejecting nearly all but iambic or trochaic verses, and moreover each government, sect, or school of opinion, thought them¬selves justified in remodelling the older National Hymnody according to their own ideas, till at length little remained of their pristine rugged glory, they were defaced past recognition. Bunsen's object in his Versuch was to provide materials for a national hymn-book for the whole of Protestant Germany, irrespective of territorial, ecclesiastical or sectarian divisions. To this end he sought out the finest German hymns, and his selection includes a large pro¬portion of the best hymns in the language with no limitations of party. The success of Bunsen's work in Germany at large was attested by the rapid sale of an enormous edition, but when a reprint was called for he published instead a smaller edition of 440 hymns. The motive was his patriotic ambition to produce a handy volume like the English Book of Common Prayer, and he fondly hoped that when the volume was printed at the Rauhe Haus in 1846, it would speedily supplant the locally introduced Gesangbücher of the 18th and 19th centuries. This hymn-book has in fact been adopted for public worship by some individual congregations in Germany, and by many scattered throughout Australia, New Zealand, &c, but it never became a National Hymn-book. Bunsen was among the first to go back to the authors and their original texts, and the abridgments and alterations he made were done with tact and circumspection. Perhaps nothing, however, can better prove the high estimation in which Bunsen's first "epoch-making" work is held than the fact that his work of 1833 has been republished as:— Allgemeines Eoangelisches Gesang-und-Gebet-bueh turn, Kirchen-und-Hausgebrauch: In vollig neuer Bearleitung von Albert Fischer. Gotha, F. A. Perthes, 1881. and that this republication, or rather recast, was conducted by the first German hymnologist living. A parallel case of inability to command universal acceptance for public use on the one hand, and of renovating influence on national hymnody on the other, is that of Lord Selborne's Book of Praise. Before the date of its publication in 1862, little or no regard was paid to original texts. Since then, however, few collections have been published in Gt. Britain and America in which the principle laid down by him has not been followed with more or less fidelity. But it is not Germany alone, or even perhaps most widely, that has profited by Bunsen's zeal for hymnology: Through the medium of translations such as those of Miss Catherine Winkworth, Mr. Massie, Miss Cox, and others, many German hymns are as familiar to English and American readers as to Germans. The Lyra Germanica (of which more than 30,000 copies have been sold in England and probably as many more in America; is a household book wherever English is spoken, and few, if any, collections of hymns that have appeared in England or America since its publication have been compiled without some hymns taken from the Lyra. But no sketch of Bunsen would be complete without mentioning that he himself had no mean talent as a writer of sacred poems. Some of these pieces are given in his Biography, and one is noted under "O lux beata Trinitas." Perhaps the whole scope of Bunsen's life-work can scarcely be summed up better than in his own words written in 1817 [aet. 26]. "To study and then to set forth the consciousness of God in the mind of man, and that which, in and through that consciousness, he has accomplished, especially in language and religion." [Susanna Winkworth] -- John Julian, Dictionary of Hymnology (1907)

William Sterne Raymond

1832 - 1863 Person Name: W. S. Raymond Author of "Weeping, as they go their way" in The Sanctuary Hymnal, published by Order of the General Conference of the United Brethren in Christ Raymond, William Stern, M.A., was born in 1832, and educated at Magdalene College, Cambridge, B.A. 1854. Taking holy orders, he was for sometime Curate of Tedstone-Delamere, Herefordshire. Subsequently he became a Fellow of St. Nicholas College, Lancing, Sussex. He died in 1863. His hymn for Easter Eve, "Weeping as they go their way," was published in I. G. Smith's Hymn Book for the Services of the Church, &c, 1855, and is found in several collections. --John Julian, Dictionary of Hymnology (1907)

Frances Freer

1801 - 1901 Person Name: Frances Freer, 1801-1891 Author of "Come, Most Gracious Lord" in Hymnal and Liturgies of the Moravian Church Freer, Frances, a member of the Catholic and Apostolic Church, b. March 16, 1801, and d. in June 1901, is the author of "Present with the two or three" (Christ with His People), in C. A. Church Hymns for the Use of the Churches, 1871, and other collections. [Rev.John Browlie] --John Julian, Dictionary of Hymnology, New Supplement (1907)