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Scripture:Exodus 1:8-22; Exodus 2:1-10
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Noah Zuercher

Scripture: Exodus 1:14 Author (stanza 1) of "The Lord Hath Done Great Things" in Sing and Rejoice!

Harold Thiessen

Scripture: Exodus 1:14 Author, stanzas 2, 3, 4 of "The Lord Hath Done Great Things" in Sing and Rejoice!

Dosia Carlson

b. 1930 Scripture: Exodus 1:1-14 Author of "In Egypt under Pharaoh" in The New Century Hymnal Dosia Carlson (b.1930) is an inspiration to differently abled people. A bout with polio shattered her dream of being a missionary in China. After studying at Oberlin College she went on to seminary, was ordained, earned a doctorate at the University of Pittsburgh and served on the faculty of The Defiance College. She is founder of DUET, formerly Center DOAR (Developing Older Adult Resources) She lived at the Beatitudes Campus Lifestyle Community in Phoenix, AZ. Among her many awards are Arizona Woman of the Year and the Antoinette Brown Award for outstanding women clergy. She has published two collections of hymns. Her hymn "Egypt Under Pharaoh" is included in The New Century Hymnal (A.Clyde, Cleveland, OH: Pilgrim Press, 1995). Mary Louise VanDyke

Jeannette M. Lindholm

b. 1961 Scripture: Exodus 1:8-22 Author of "With Mary Sing Magnificat" in Voices Together

Charlotte E. Couchman

Scripture: Exodus 1-40 Author of "Exodus" in Each Little Dewdrop Wife of Thomas D. Couchman.

Charlotte Mitchell

Scripture: Exodus 2 Arranger of "[Moses, go, sleeping on the Nile]" in Songs for Life

John McIntosh

b. 1932 Person Name: John McIntosh (1932-) Scripture: Exodus 1:8-22, 2:1-10 Composer of "SELINA" in Common Praise (1998)

Henry Thomas Smart

1813 - 1879 Person Name: Henry T. Smart Scripture: Exodus 1:1-14 Composer of "LANCASHIRE" in The New Century Hymnal Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman

Ralph Vaughan Williams

1872 - 1958 Scripture: Exodus 1:8-22 Harmonizer of "FOREST GREEN" in Voices Together Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

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