Appears in 3 hymnals Composer and/or Arranger: Jane MarshallScripture: Psalm 17Tune Key: E Flat MajorIncipit: 53212 34321 2 Used With Text: Psalm 17:1-7, 15
Meter: 8.6.8.6Appears in 674 hymnals Composer and/or Arranger: Alexander Robert Reinagle, 1799-1877; Alan Gray, 1855-1935Scripture: Psalm 17Tune Key: E Flat MajorIncipit: 51765 54332 14323 Used With Text: How Sweet the Name of Jesus Sounds
Meter: 8.8.8.8.8.8Appears in 696 hymnals Composer and/or Arranger: Henri F. Hemy; J. G. WaltonScripture: Psalm 17:15Tune Key: G MajorIncipit: 32117 12671 17651 Used With Text: Jesus, Thy boundless love to me
Meter: 11.10.11.10Appears in 27 hymnals Composer and/or Arranger: Frantz Abt, (1819-1885).Scripture: Psalm 17:15Tune Key: E Flat MajorIncipit: 33321 34552 43342 Used With Text: Still, Still with Thee, When Purple Morning Breaketh
Meter: 14.11.14.11 with refrainAppears in 197 hymnals Composer and/or Arranger: John R. SweneyScripture: Psalm 17:15Tune Sources: Timeless Truths (http://library.timelesstruths.org/music/My_Savior_First_of_All); Anonymous/Unknown, The Blue Book (43)Tune Key: A Flat MajorIncipit: 12333 33213 1165 Used With Text: My Savior First of All
Meter: 8.4.7 DAppears in 8 hymnalsScripture: Psalm 17:15Tune Sources: Freylinghausen's Geistreiches Gesangbuch, 1704Tune Key: F MajorIncipit: 12345 56543 14322 Used With Text: Come, My Soul, You Must Be Waking
Appears in 130 hymnals Composer and/or Arranger: Charles H. GabrielScripture: Psalm 17:15Tune Sources: Traditional Maori melodyTune Key: G MajorIncipit: 53334 32216 55777 Used With Text: He Is So Precious to Me